Salvation is from the Jews…and maybe damnation too…

To: Roy Schoeman
Author of Salvation Is from the Jews

My dear Mr. Schoeman,

I am veraciously enjoying your book Salvation Is from the Jews. As happens so often with my Jewish brothers, I find myself so on the same wavelength with your edgy wordsmithing and even sometimes your risqué investigative style that I have to call the experience “spiritually immersive”! Not least owing to our common affinity for sound mysticism and according skepticism of so-called “Churchianity,” Augustino-Calvinist Puritanism and scholasto-Jesuitical sophism, just some of the anacondas strangling Western Christianity in too many quarters. Your Old-New Testament insight about the eldest sons and analogously Israel missing the blessing I find particularly insightful and cannot restrain myself from asking, Is it not at the very least postulable that this principle can apply today to the Roman “See of Peter”? (Some would argue that the Fourth Ecumenical Council at Chalcedon thinks the answer is positively yes.)

On the flip-side, my relish of what you say understandably served to augment my distaste for crucial truths you omit and thereby falsehoods you imply. I am willing to overlook the almost total eclipse of post-biblical Middle Eastern history—your Ashkenazim, your Antiochian Orthodox Christians, your Khazaria, and then in the West your Sephardim and your Rothschilds with their fractional reserve banking cartel with its death-grip on the so-called Renaissance plus “modern times”! I am no Anti-Semite/racist, no Holocaust denier/revisionist and I am fully satisfied that the Protocols of the Learned Elders of Zion is a forgery and that Council of Jamnia never necessarily went down as theorists describe it, and you basically do justice to the wrongness of Mesoretic and other such renderings as well, the contemporary prevalence of depraved esotericism among the astral/noetic rulers (“ascended masters”) of this present darkness and the patent inner workings of occult brotherhoods that masquerade as “charitable fraternities.” (Yet why you abstain from fingering “Catholic” occult equestrian orders and the Jesuits I can’t explain to my satisfaction.) Nay indeed, more than just not being a racist, I consider racial theory a sad and quintessentially unmanly cop-out in the case of Hitler (part-Jewish and one-time art aspirant in a [then as now] Jew-dominated arts community) and all his ilk! No truly spiritual or godly undertaking orders, countenances or even contemplates violence, malice or certainly any evil. But I am a “truther” first and last, all unanswered questions remain for me on the table, and there are questions that loom especially large for serious historical researchers that you leave conspicuously unmentioned.

I am here going to assume that you at any rate regard the “gentile” or ”goy” as at least nominally human, so I won’t even go into the fact that Communism killed between 85 and 100 million and counting to Nazism’s 11 million. Except to ask: At a conservative (but not neoconservative) estimate, how many Jews do you think Communism killed? (I am morally certain that Communism has killed more Jews—leave alone many times more humans!—than Nazism.) And even the suckling babe knows with the crispest clarity that Communism, which is more conspiracy than revolution, was a Jewish aristocrat’s brainchild (or rather Rothschild). We also certainly won’t mention Saul Alinsky, the modern Karl Marx, who holds as his ideological (noetic?) marionettes all our nation’s top leaders. Your otherwise wondrous exposé fails to edify inasmuch as it does not excavate the modern underpinnings of Communism and global banking.

No, we’d best leave that golden calf alone, but what I do want to address, for example, is your failure to name “Nazim,” Zionists and other nationalist types (be they sluggish in the head or thuggish in the heart) who have sharply influenced contemporary U.S. American culture and policy like Werner von Braun, Walt Disney, Ayn Rand and yea G. K. Chesterton.

Most disturbingly of all, while you do mention Hitler’s willingness to spare Jews for export, you fail to mention that, as even Wikipedia admits, “Palestine was the only location to which any Nazi relocation plan succeeded in producing significant results, by means of an agreement begun in 1933 between the Zionist Federation of Germany (die Zionistische Vereinigung für Deutschland) and the Nazi government, the Haavara Agreement” (ostensibly quoted from Dr. Anwar El-Shahawy’s book Allah and Space). In other words, the élite in all quarters do not adhere to the same ideological lines of division they feed the masses. I contend that Nazism, in its inner circles, is not about race and is about the same thinking that set Madame Blavatsky apart, who (until exposed as a charlatan) was more accepted by spiritualists than bloodline-obsessed Masons. It would be hard to overstate her direct influence on Hitler. And in conclusion, it is nearly impossible to exaggerate the extent to which we have been lied to concerning the relationship among socialisms, and particularly between Nazism and Zionsim.

I think your use of the “yeast in the dough” imagery is the reverse of Jesus’ and hence is theologically the most questionable thing in the book thus far, and I stop just short of calling it impious and a total sell-out of the Faith. Jesus was patently not describing the Jewish Race or Religion as the “yeast in the dough” (or salt of the earth or light of the world) but rather his followers as the yeast in the dough that is each nation, Jewish or “Goyish.” The Church is the New Israel. That is the focal point of all Christians. The Jews are become a footnote, albeit a fascinating footnote, and a mysterious tool in prophetic literature in which nothing is clear much less nationalistically applicable. But let’s stop beating around the bush: the Judaizer heresy is just that, a filthy, base and demonic heresy. If emphasizing the Jewish Law is a slap in the face to Christ, how much more emphasizing the Jewish bloodlines!

I take exception, however, to any condemnation of the preservation of Jewish culture within Christian communities. I want to retain my (majority) Irish heritage and saints in how I worship because it makes me the more fully part of the whole Church. I’m told that some “Russian” Orthodox Christians, being of Jewish descent, were let back into Israel and, subsequently, there are Jerusalem parishes that celebrate the Divine Liturgy in Hebrew. I rejoice for them. And yes, they have a special perspective on Jesus being of His same household, and I rejoice with them. I love every chance I get chewing the fat with Jews, however secular, Orthodox or even Hasidic. I love hanging out with Catholics and Protestants. I even sometimes can stand Hindus and even (maybe) Buddhists. Wiccans? Druids? Why not. Mormons? JWs? Seventh Day Adventists? Sure, though obviously we’re bordering on the contrived and probably artificially preserved. Scientology obviously is downright dark, but their members are equally people. And I believe I am a missionary to everyone and everyone is a missionary to me.

Though I am the staunchest localist you’re ever likely to meet, I can never. Ever. Ever condone nationalism, because it is mass-insanity. I’ve heard a lot of people go on and on about a lot of things. I know an insecure, vacuous rant from a true scholarly thesis (however well calculated the former’s buzzwords to play on the contrived sympathies of my nation’s telehypnotized positivist sanctimonious funk). Every culture that’s old (read decadent) enough never shuts the heck up about some haplessly worldly claim (again, better suited to theater than academia) to being “the most special” or to having bestowed upon the undeserving unwashed and unappreciative “leftovers of genésis” their most vital (sometimes even implying spiritual) flair—and the ones who brag the most tend to offer the least substantive value—so by and large my Jewish (and, God Almighty help us all, “Christian”) Zionist-leaning brethren should get real and get in line because the sun doesn’t rise and set on their hex* deity, certainly no less evil than any swastika or moon, which like the “Nazim,” they flamboyantly procure to cast, and are indeed casting, upon the whole earth.

I say, A hex on our accursed ignorance.

A final question: What if anything did the honest, common “Goys” and Jews (Christian and otherwise) of the earth—especially of the United States—ever do to deserve the endless shower of pseudogodliness that is modern Hebrew Nationalism?

I get that you’re a bit shy—a neurosis you’ve perhaps mistaken for contemplation, toward which your personality, once informed by the truth, could yet lend itself—as well as unconvinced—your at times mumbled reading of your own writing betrays it—but try to hear this: even despite your occasionally poor dynamics a lot of people hang on your words. My father does. Even as I embrace you as a brother, I, with my whole being, request a clarification, at your leisure, of the loose ends I’ve listed above. I ask you to consider writing a sequel if not errata.

Most sincerely,
John

________
* Even Wikipedia admits the hexagram has not been in circulation among the Israelites for a day over 2,400 years if that. Not even Solomon in his wildest apostasy used it, much less Great King David. Another disgrace, another lie to the Babel-high pile. As for me, I want no part in Israel’s self-inflicted curses.

FBI Arrested and Convicted 52 DEMOCRATS of Voter Fraud

52 DEMOCRATS Arrested and/or Convicted of Voter Fraud so far and Race or the N.A.A.C.P. Wasn’t an Issue

1 Star2 Stars3 Stars4 Stars5 Stars (16 votes, average:4.63 out of 5)

 

Proof that voter ID is needed to keep our elections legitimate and fair.  Our elected leaders should be elected fairly by the people and not by the minority voting in names that are not theirs.

This is how the democratic party stays in power and why they do not listen to the people when they are in power because they know they are guaranteed to win no matter how they perform their duties.  God help this country!

8 Arrested for Absentee Voter Fraud in Madison County, Florida

Democrats ~ Jada Woods Williams and Abra Hill Johnson

I am not sure how I missed this one, but here is one to add to the growing list of individuals arrested for actual voter fraud- meaning they voted more than once in an given election.

The NAACP is up in arms over the arrests saying the FBI is some how suppressing minority voters by arresting and charging minorities for actually illegally voting.

7 Democrats Arrested in New York for actual Voter Fraud via Absentee Ballots

Democrats arrested, charged and 4 plead guilty to actual voter fraud in New York via absentee ballots!

12 Democrats have been Charged in Georgia for Absentee Ballot Voter Fraud

NAACP Executive Sentence to 10 Years in Prison for Voting for Obama 10 Times in 2008

While NAACP President Benjamin Jealous lashed out at new state laws requiring photo ID for voting, an NAACP executive sits in prison, sentenced for carrying out a massive voter fraud scheme.

In April 2011, a Tunica County, Miss., jury convicted NAACP official Lessadolla Sowers on 10 counts of fraudulently casting absentee ballots.

4 Wake County, North Carolina Democrats have Admitted to Voting for Obama TWICE Each in 2008

Daytona Beach City Democrat Commissioner and his Campaign Manager arrested for Absentee Ballot Voter Fraud

Derrick Henry Genesis Robinson

see complete story

thank you Scott

 

Ron Paul Scares the GOP and 4 Reasons He Might Still Get the 2012 Republican Nomination

Why the GOP Is Scared of Ron Paul and 4 Reasons He Might Still Get the 2012 Republican Nomination

Posted: 08/21/2012 3:55 pm
Wait, isn’t Dr. Ron Paul out of the presidential race? Isn’t it all tied up nicely in a bow with the Romney/Ryan ticket?

No.

Why would the GOP be scared of Ron Paul but end up nominating him?

I’ll explain.

Romney and the GOP have demonstrated both poor judgment and poor sportsmanship that might cost them by damaging Romney’s electability among the Ron Paul supporters thus leading to a splitting of votes, which in turn, could cost the GOP the entire election.

Dr. Ron Paul is still in the race for president and is a strong contender for the 2012 GOP nomination.

To be on the GOP ballot Aug. 27, 2012 in Tampa and get a 15-minute speaking slot, a candidate must have won the plurality (majority) of delegates in at least 5 states.

Well, Ron Paul did win the plurality of delegates in 5 states, enough to be eligible for the nomination and a 15-minute speaking slot at the GOP convention. The states he won are Louisiana, Iowa, Minnesota, Maine and Nevada. Then Ron Paul went on to win the plurality in Massachusetts, Romney’s home state and half the delegates in Oregon. Dr. Ron Paul also has around 500 delegateswho support him. The exact number of delegates that Romney and Paul have is still a mystery but should be clarified at the convention.

So… Ron Paul won his 5-plus states, he’s on the ballot and writing his speech, right? Not exactly.

What happened next is what may cost the Republicans and Romney the entire election. Instead of accepting that Ron Paul, the GOP underdog, had won enough delegates in enough states to be allowed his rightful place on the ballot and his 15-minute speaking slot, the GOP and Romney’s people decided to try and take these legitimate wins away from Ron Paul and his supporters. Ron Paul supporters fought hard, played fair and won. Romney supporters didn’t play fair and still lost those 5-plus states. These Ron Paul pluralities were won in spite of shenanigans and tricks tried by Romney supporters and the GOP to prevent or undermine Ron Paul wins. The Ron Paul supporters were well prepared and won the needed amount of states anyway.

So, how did Romney and his supporters handle their losses of five measly states to Ron Paul? Honorably? Graciously? With dignity? Maturely?

No. Quite the opposite.

Romney’s people ran to Big Daddy GOP to rescue them from their defeats by trying to disqualify the valid Ron Paul delegates and to take away Ron Paul’s right to speak and be on the ballot by reducing his states won to fewer than the five needed.

So far, Romney and the GOP have contested the Ron Paul wins in LouisianaMaineMassachusettsand Oregon. They threw out the Massachusetts Ron Paul delegates after the GOP tried to force the delegates to sign a long legal document that required them to vote for Romney. This was not something that had ever been done before. The GOP allowed Romney, big lawyers and big bullying to invalidate Ron Paul’s solid win in Massachusetts.

As in the other states, the Ron Paul delegates in Maine played by the rules and won. Even Governor LePage of Maine, a Republican, is appalled with GOP efforts to throw out the duly-elected Ron Paul delegates.

The entire plot to reduce Ron Paul wins to under five states to take his name off the ballot and take away his 15-minute speaking slot is well under way. If Romney/Ryan are so great, why can’t they handle a little competition without whining and crying like sore losers?

Are they afraid of losing the 2012 nomination to Ron Paul if he speaks and is on the ballot?

Why not play fair and let the best man win?

Who cheats? The lazy, bratty, insecure and less-qualified people who can’t win honestly and fairly. Is that really presidential material?

I wonder if Romney and the GOP are worried that if Ron Paul speaks and gets the nomination, that Ron Paul will fire all of them. Is the GOP that terrified of change, even if it is for the betterment of the country?

Here is why I think that Ron Paul might still walk away with the nomination.

4. Lots of regular “little people”, like me, want Ron Paul to be the 2012 GOP presidential candidate. We, the little people, do not like being trod upon and when we join together, we are stronger than big money. Remember, “We the People”? Ron Paul’s donors areregular working people, many military men and women, not banks.

3. Ron Paul is the David to Romney’s Goliath Machine but the spirit, character and faith of we “little people” count more in America than just money. Romney has raised$152 million to Paul’s $39 million. Ron Paul has more passionate support from his supporters due to Ron Paul’s character and dedication to serving America and Americans based on our founding principles embodied in our Constitution. Money, media manipulation and bullying can’t buy this type of support. But, Romney and his lawyers couldn’t let Ron Paul keep 5-plus wins?

2. Ron Paul wants to serve his country, and has served in the military, and would end the wars. Ron Paul’s supporters and Americans want someone they can trust and believe in. Dr. Paul is that man.

1. Mitt Romney is much less qualified to be president than Ron Paul, who understands the Constitution and Bill of Rights. Watch this link where Romney is asked a basic Constitutional question and replies, “I’ll have to ask my lawyers”. Ron Paul tells Mitt Romney, “Read the Constitution.” Ron Paul is the only Republican Presidential candidate who is qualified, experienced and credible.

We, little people, similar to Ron Paul and his supporters, work hard, play fair and expect the same from others.

If Romney and his supporters had been gracious losers about Ron Paul’s 5-plus state wins and Ron Paul’s 15-minute speech, Romney had a chance to garner both the GOP 2012 nomination plus the support and votes of Ron Paul and his supporters. (I say “a chance” because many Ron Paul supporters do not see Romney as a fiscal conservative.)

Not anymore. It is hard to vote for someone who has acted so dishonorably, even for the sake of party loyalty.

The misguided Machiavellian advice Romney got and took to “win at all costs,” may cost him dearly in November due to the bad will generated with Ron Paul supporters. Too many people have lost too much respect for Romney to vote for him. To the contrary, even though Ron Paul’s campaign was repeatedly slighted and undermined by Romney and his supporters, Ron Paul stayed gracious and denounced mistreatment of Romney. He has told his delegates to “Make yourself heard but be respectful.”

By playing dirty and being greedy, Romney supporters may have lost Romney both the nomination and the election.

Romney and the national GOP are showing their ugly colors by attempting to take away Ron Paul state delegate wins that were earned fair and square.

In speaking with some Ron Paul supporters, here is their current plan. If Ron Paul doesn’t win the 2012 GOP nomination, many Ron Paul supporters will elect to vote for Gary Johnson, the Libertarian presidential candidate. Why wouldn’t Ron Paul supporters write in Ron Paul on ballots around the country? For those write-in votes to count, a write-in candidate must be listed in every state and some Ron Paul supporters do not know if their Ron Paul votes would count.

And, due to the shabby treatment Ron Paul and his supporters have received from the GOP and Romney’s people, many Ron Paul supporters may refuse to vote for Romney in 2012, even if it means Obama being re-elected for four more years. One supporter told me, “I want the GOP to see how many votes they lost by playing dirty. They will only be able to count all the lost votes if I vote for Gary Johnson.”

If you want to learn more about Gary Johnson click here. He stands for small government, government staying out of your business, liberty and fiscal responsibility. He is like Ron Paul without the Roe v Wade concern. Gary Johnson has had virtually no media coverage so you may not have heard of him.

As I heard in grammar school and it remains true: “Cheat, Cheat Never Beat”.

Ron Paul is the only qualified person for the 2012 Republican Nomination who can unify conservative Republicans, Independents, Libertarians and stabilize the economy. If the GOP is smart and humble enough to do a mea culpa and nominate Ron Paul, Republicans stand a better chance of winning in November. If Ron Paul doesn’t get the nomination, many Ron Paul supporters will likely be voting for Gary Johnson. All Romney and the GOP had to do was play fair and win honorably, but I guess that was too much to ask.

But here is the GOP’s conflict: If the GOP nominates Ron Paul and he wins, many of the GOP cronies will be shown the door. There will be a big house cleaning of corrupt politicians, like turning on the lights and the cockroaches scatter. On the other hand, if they don’t nominate Ron Paul, they risk losing all the Ron Paul supporters, which would likely split the vote and lose the 2012 election entirely.

It is hard to make those type of decisions when choosing what is best for the country doesn’t figure in at all, but choosing what is best for their own selfish principles of self-preservation, greed and thirst for power rule the day.

Romney and the GOP need to leave Ron Paul’s five-plus states alone, place him on the ballot and allow Ron Paul to speak.

Follow Laura Trice on Twitter: www.twitter.com/LaurasWJF

Labor Ready and the Tescor Survey is a Joke! I will never use that Company again!

As you can see in this blog that many people have taken the Tescor Survey for Labor Ready and have failed the personality test, and have been turned away from working a job!  The Tescor Survey is a behavioral psychological assessment and integreity test designed to be a pre-employment tool for many types of businesses.  I also went to Labor Ready looking for work, whereas I was told to take a Tescor Survey before employment could be offered. I took the survey, which asked about theft, drug use, anger issues, RACE, etc. When I finished, I was told I wasn’t qualified for employment!

I am a very honest person, and answered accordingly, of which I should have had no problems. I am a NY State Licensed Security Guard that has had to pass drug tests and background checks so there should have been nothing negative on my part. One of the Questions that raised a red flag to me was. Have you ever had to physically had to defend your self? These are all yes or no questions.  I was honest and said yes!

When I was around 25 years old I was in the small City of Batavia on a pay phone talking with my dad when I was jumped by a gang of teenagers who hit me from behind with a glass bottle to my head.  I got away from them and ran to the nearest store to call the cops for help!  Labor Ready is suppose to be the leading multinational source of dependable labor for companies in a variety of industries.

I have Used Labor Ready in the past to hire guys for work but after the way I was treated I will no longer do business with a company that treats good hard working Americans that way, when I really needed a job and Labor Ready was a Last resort ditch effort to pay the bills and feed my family and I was turned away because of a silly survey shame on you Labor Ready I hope that this Blog takes a bite out of your bad business Practices!  You should really change your way of hiring!  When I walk in and see drunks and thugs getting a job before me something is not good with your company!

Labor ready

Posted: 2010-07-27 by  rebelwithacause
Tescor Survey
Complaint Rating:  100 % with 16 votes

Company information:
Labor Ready
4345 S. Anthony Blvd.
Fort WayneIndiana
United States
Phone: 260-745-4577

I went to Labor Ready looking for work, whereas I was told to take a Tescor Survey before employment could be offered. I took the survey, which asked about theft, drug use, anger issues, RACE, etc. When I finished, I was told I wasn’t qualified for employment! I am a very honest person, and answered accordingly, of which I should have had no problems. Nothing negative on my part. When I asked Julie why I was disqualified, she informed me that she didn’t have that info, and that I should contact Tescor. I looked them up on the computer when I got home, called them, and was informed that Julie at Labor Ready lied to me about having this info! The representitive from Tescor (Merchants Information Solutions) told me that Labor Ready “would” have that info, and to contact them back. When I called Labor Ready back, I got the same response from Julie! She said she didn’t have that info. Obviously, someone is lying, and I have a legal right to know why I was disqualified based on my answers!!!
  14th of Nov, 2010 by   xwerkers   0 Votes
I have worked for L.R. of and on for over ten years so when they started using tescor I was already in the system I failed this test at another agency thier survey asked “If you saw someone steeling on the job would you report it” “If you saw someone doing drugs on the job would you report it” truthfully, I would mind my own business but that answer is wrong.wrong answers to questions like these caused me to fail the survey . And isnt it more like a test. I never heard of failing a survey. These test are unfair and just used to eliminate people so that agencies dont have to spend money giving an interview . I could go on and onabout how bad labor ready is. I came in one morning from a night job and they asked to work another job because they were short of people they took us in the L.R. van I decided to take a nap when I awoke we where crossing a picket line. News cameras, politicans, protesters everywhere. later that night they went to LR to slash tiers and cut brakelines on the van.

  5th of Feb, 2011 by   unbelievable49   0 Votes
This just happened to my brother-in-law. As my sister told it… He was in the office with three Hispanics, all of whom received applications without taking this “survey”. My brother-in-law completed the survey and without any discussion was told he didn’t qualify. This is outrageous, as he has done everything from hands-on construction to running crews or full projects. He may have been “over-qualified” for what they had, but he would have taken any work. He has been unemployed for 2 years and the family needs him to work just as much as an “unskilled” laborer.

  30th of Apr, 2011 by   jonathan terry   0 Votes
i had the same problem ii took the survey and was told i didn’t qualify and was told by the that she didn’t know why the shit is ridicolus i went out to get a hard copy of my resume by the time i came back i was told that guess i gotta be on crank or fighting everyone to get a job i mean 1 question was what did i think my skill level was in a hand to hand fight what the hell does that got to do with getting a job i guess if i had said yeah im going to come to work late show up drunk and high robbed the employer blind and punch the boss in the face i’d be employed go figure its a bunch of bullshit!

  20th of May, 2011 by   Brock Rhoads   0 Votes
I just went to L.R. and was given the same bullshit. I am a very good worker and need a job but for some reason all they want is to hire drunk ass, stoned out of the mind, immigrant prize fighters.This in my opinion is offensive and prejudiced and I think that this test needs to be stopped or L.R. needs to be shut down and investigated or they need to be boycotted until they stop that stupid test.Everyone that has been affected by this and told that L.R. does not know why they were disqualified needs to get together on a class action lawsuit to at least make it so that they have to inform people why they were disqualified to work there when at least half of the questions should have no bearing on qualification for employment.Why do they need to know your skill level in fighting or how many times you have had to defend yourself physically unless they are gonna give you a job as a mma fighter or put you in an underground cock fight.It is one of the biggest loads of bullshit that I have ever been privy to witness.

  13th of Jul, 2011 by   roy jenkins   0 Votes
Get this sraight LABOR READY YOU WILL PUT ME TO WORK OR FACE MY RATH Im getting tired of you hiring a bunch of fkn bums drugies or whatever you clowns hire your so called bullshit survey and a bunch of fkn wetbacks go to work with a spick behind the desk we can start getting rid of these fkers one way or another a bunch of spineless white trash too scared to speak up will not be tolorated much longer so get your fkd up bullshit survey out of the system and hire qualified people who are willing to take huge paycuts just so we can go to work and stop hearing all this bullshit about anybody but spicks and wetbacks are willing to do but nobody else will tus will be youur only warning

  27th of Jul, 2011 by   TC911   0 Votes
My 19 year old son who is very smart and has been looking for a job went to the LR and took this stupid test. First of all we have never been on welfare, got food stamps, or done drugs, and to ask all these to someone who is trying to get an honest job is absurd. He was given questions unrelated to a career and more ludicrous topics then told he failed, but no reason could be given as to why he failed. Told come back in a year and take it again. Why should he have to wait a year, even the DMV gives you a 24 hr retake. These people are jokes, unfair and this test is unfair. When someone is already down on their luck, depressed over being unemployed and then you throw them questions of “how would you handle hand to hand combat” blah blah blah, , , I pray everyday for my son to get a job and succeed and I know he will! I also know it wont break him/us from trying and this TESCOR SURVEY is for clowns! What do they do for people with A.D.D. Dyslexia, Asbergers Synrome, according to the HEPA Federal Laws this type of Labor Temp Service is violating several terms. So I advise anyone else that ends up going to the Labor Ready Service and takes their 73 question to test to make some noise if they also say you failed for no reason.

  28th of Mar, 2012 by   arunkumarad   0 Votes
tescor is seriosly supid. fuck the labour ready .i have worked for them for almost a year .but i was disqualified …im honest and calm person if anyone starts a company without tescor i would move on o it. the cleark said said she wrote the test and failed but she is in laboiour ready…

  3rd of Apr, 2012 by   T.Qclevelandoh   0 Votes
Today my boyfriend came in and said that he didnt quailfied for labor ready because of a survey. first i could of sworn that a survey was YOUR opinion right? well in this case its not. he was asked the question if someone in the work place tried to fight you would you fight them back? he answered rarely. he failed that SURVEY because he answer that question wrong i guess. what is this? it sounds like a scheme right? something needs to be done about this because people are getting jhiped out of what is rightfully theirs… what i would say is say no to everything no use your common sense… even though you wouldnt let anybody beat you up in the work place and what does fighting have to do with it anyway… what they should be asking is what kind of experience do you have or where do you see yourself in the next five years… they know that they are wrong and god dont like ugly so better believe ya’ll they will get what they are looking for… just keep your heads up and stay focused because when on door close’s another door opens… and most of the time when you get a job from them they are shiity and try to do you wron g in the end. example my mothers boyfriend went through labor ready for a job before they had the “SURVEY” and the job he works at now hes been working at for years and he became the top seller in his job but they rufuse to give him a raise… they wont promote him and barely give him hours, so he’s like what is the point working for them… dont worry the problem will be solved you know why because its them thats making a bad name for themselves… so like i said. keep cool and stay focused. it will come for all of you.. might not be when you want it but it will happen JUST HAVE FAITH… and if you know anybody that needs a job warn them aboiut labor ready so they dont have to go through the same thing…

All About The Movie Prometheus The Good, The Bad, The Ugly!

So you may be thinking what does the Movie Prometheus have to do with the New World Order?  we will reveal the agenda behind Prometheus, the new film by legendary director Ridley Scott (Alien, Blade Runner, Gladiator) hitting theaters June 8.

This film is a Parallel Story of the deep dark secrets of the Illuminati’s ancient occultism  religious faith  and theological views or ideals!  These idea’s have been developed by the ruling elite family’s who believe that they have been chosen by a off world super race with higher intelligence, to rule the world.  They believe that this off world intelligence has directed them to control mans DNA and future.  The elite believe they are the Earths gods and are destined for the stars. They think its a divine right bestowed on them by a higher intelligence that gives them credence to their meddling with the affairs of common man.  The Illuminati want to merge man with Machine so that they can live forever and be like gods!  The Bad news is that if you do not belong to the family you will not be invited to live forever but will be exterminated like bugs by those who will be chosen to get the life extenuation technologies!

You see the Illuminati choose to follow a plan to control world population by mass sterilization using soft kill weapons to depopulate the world with poisons through GMO Food, Vaccination, and other technological advances.  The Idea of creating the master race did not die with Adolf Hitler its still alive and well!  Its now called transhumanist  The Global Future 2045 International Congress, led by iconic futurist Ray Kurzweil and held in Moscow a few months back, lays out a stark vision of the future for neo-humanity where AI, cybernetics, nanotech and other emerging technologies replace mankind– an openly transhumanist vision now being steered by the elite, but which emerged out of the Darwinian-circles directed by the likes of T.H. Huxley and his grandchildren Julian, who coined the term Transhumanism, and Aldous Huxley, author of Brave New World. Resistance to this rapid shift in society, the 2045 conference argues, is nothing short of a return to the middle ages.

United Nations Envisions Transhumanist Future Where Man is Obsolete

 Prometheus was a Nephilim from a different time period.

The Prometheus Film is basically shinning a light on the (presumably fallen angels) Nummo or Nephilim. These giants were noted for their strength and warlike abilities. The Greeks called them TITANS while the Bible called them NephilimPrometheus. According to the Sumerians the Nephalim were like Gods to them, large humanid beings. Seems similar to the Space Jockey concepts. Also according to prophecies, the Annunaki along with the Nephilim will return in 2012 to Earth, to their children they created.

The NEPHILIM offspring four different races;
THE ANNAKIM (they would weigh chains until earth’s core could not support them.)
THE REPHAIM (Your heart will melt in their presence)
THE ZAMZOUMIM (Achievers, Their necks would obscure the sun.)
THE EMMIM (Terrifying ones)
THE GIBBORIM (The strong ones, the giants, the ancient heroes)

 The NEPHILIM introduced zoophilia on earth; and broke down the natural order of things.
“The viper would mingle with the lion, and the vulture with the dog, and man with nephilim, nephilim with animals etc…..They also drank each other blood .


Some accounts have been written about the NEPHILIM, for instance a midrash of genesis Rabbah says that on a wedding night ,a nephilim would appear in front of the newly wed, possess the man than kill him ,than he would possess(sexually) the bride, kill her too, drink their blood and vanish.
Other sources states that they would feed on live camels and horses.


A Talmudic scholar asks: “How can a angel, which is pure white fire penetrate a woman without burning her from the inside? His master answered: They took human shape that’s how they were able to copulate. In fact it was those bodies who entrapped them so that they couldn’t resist earthly desires.

The Nummo. The Dogon talked about alien beings known as Nummo who came to Earth from another star system. These fish and serpent like beings were hermaphrodites who spent more time in water than on land. Shannon presents examples of how these amphibious aliens appeared all over the ancient world and makes connection with mitochondrial Eve, Mary Magdalene, Masonic symbolism and more. She reveals how the Dogon religion is the core religion from which other religions including Judaism and Christianity have evolved. We’ll discuss the Nummo’s voyage to Earth, their knowledge of genetic engineering, Dogon mythologyand their intention with humanity.

Nommo is a better spelling, “Nummo” comes from D.Icke, as he attempts to steal the story and retell it to provide his own brand of “evidence”…

And the original story is spectacular, however, There is at least one article out there with good looking references… (if they are or not..)

Seems the original French anthropological expedition may have faked the “findings” (why???… for the money, naturally) and some 50 years later, another French expedition tried to check the story (things move slowly in the world of cultural archeology)

Look up /Dog gone shame.html

lol http://www.philipcoppens.com/dogonshame.html

Unfortunately apparently these people’s findings only come to light some 30 years after publishing, and so MANY books and essential theories are proposed using original Dogon and Sumerian mythologies as a basis. (all those links about Sirius are no longer Serious)

Leave it to the French to place a blemish on the entire field of anthropology/archeology/and well…. trying to accurately dig up the past, in general.

Thanks to DrPostman for bringing this to my attention several months ago.

There is still something from the Bible that has to do with this idea of Prometheus

This section copied from http://www.pantheon.org/articles/n/nephilim.html

Genesis 6:4 states “The Nephilim were on the earth in those days –and also afterwards– when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown.” The Nephilim were a race of giants that were produced by the sexual union of the sons of God (presumably fallen angels) and the daughters of men. Translated from the Hebrew texts, “Nephilim” means “fallen ones.” They were renowned for their strength, prowess, and a great capacity for sinfulness.

The origination of the Nephilim begins with a story of the fallen angels. Shemhazai, an angel of high rank, led a sect of angels in a descent to earth to instruct humans in righteousness. The tutelage went on for a few centuries, but soon the angels pined for the human females. After lusting, the fallen angels instructed the women in magic and conjuring, mated with them, and produced hybrid offspring: the Nephilim.

The Nephilim were gigantic in stature. Their strength was prodigious and their appetites immense. Upon devouring all of humankind’s resources, they began to consume humans themselves. The Nephilim attacked and oppressed humans and were the cause of massive destruction on the earth.

Two texts of central import to the story of the Nephilim, the Bible and the Dead Sea Scrolls, mention several names for the Nephilim. The diverse kinds of these giants are cited in several passages. They are variously referred to as Emim, or “Terrors” (Gen. 14:5; Deut. 2:10), Rephaim, or “Weakeners” or “Dead Ones” (2 Sam. 23:13; 1 Chron. 11:15), Gibborim, or “Giant Heroes” (Job 16:4), Zamzummim, or “Achievers” (Deut. 2:10), Anakim, or “Long-necked” (Deut. 2:10; Josh. 11:22, 14:15), and Awwim or “Devastators” and “Serpents.” Other giants are mentioned in these texts as well, such as Goliath (2 Sam. 21:19), a giant with twelve fingers and twelve toes who is mentioned as one of the Rephaim (2 Sam. 21:20), and a tall Egyptian (1 Chron. 11:23). The passage of Numbers 13:26-33 recounts the Nephilim of Canaan that Joshua and the other Hebrew spies saw. Furthermore, according to Judaic lore, a certain one of the Nephilim, Arba, built a city, Kiriath Arba, which was named for its builder and is now known as Hebron.

The wickedness of the Nephilim carried with it a heavy toll. Genesis 6:5 alludes to the corruption that the Nephilim had caused amongst humans and themselves: “The Lord saw how great man’s wickedness on the earth had become…” Their evil rebellion had incurred both the wrath and grief of God. God instructed the angel Gabriel to ignite a civil war among the Nephilim. He also chose Enoch, a righteous man, to inform the fallen angels of the judgment pronounced on them and their children. God did not allow the fallen angels any peace, for they could not lift their eyes to heaven and were later to be chained. The end of the Nephilim came about in the war incited by Gabriel, in which the giants eventually annihilated each other.

“Nephilim” is rendered fallen, or possibly feller: a tyrant or bully. Several English translations, such as the King James Version rendered the word “giants”. In the Greek Septuagint the word “nephilim” was also translated as “gigantes” (gigantic). This translation is undoubtedly used because the Nephilim later became known as giants to the ancient Hebrews, as illustrated by the manner in which they were referenced when the Israelite spies were sent intoCanaan (Numbers 13:33 ).[1]

This section Copied from: http://www.nwcreation.net/nephilim.html#Apocryphal_references

The Sons of God

Main Article: Sons of God

It is unclear what the Sons of God were, but they are distinguished from the daughters of men. The most obvious interpretation is that the Nephilim were a hybrid race between two distinct beings. There are at least three schools of thought regarding the Sons of God.

The older view, held nearly unanimously by ancient writers prior to Augustine of Hippo, is that the Nephilim were a hybrid race between certain fallen angels, called the Benei Ha’Elohim (“Sons of God”) or The Watchers in extra-Biblical traditions, and human women. While there has always been a minority of churchmen who followed this view, it has been promoted recently by popular writers such as Stephen Quayle [2].

In The Genesis RecordHenry Morris states:

The only obvious and natural meaning without such clarification is that these beings were sons of God, rather than of men, because they had been created, not born. Such a description, of course, would apply only to Adam (Luke 3:38) and to the angels, whom God had directly created (Psalm 148:2, 5; Psalm 104:4; Colossians 1:16). The actual phrase bene elohim is used three other times, all in the very ancient book of Job (1:6; 2:1; 38:7). There is no doubt at all that, in these passages, the meaning applies exclusively to the angels. A very similar form (bar elohim) is used in Daniel 3:25, and also refers either to an angel or to a theophany. The term “sons of the mighty” (bene elim) is used in Psalm 29:1 and also Psalm 89:6, and again refers to angels. Thus, there seems no reasonable doubt that, in so far as the language itself is concerned, the intent of the writer was to convey the thought of angels – fallen angels, no doubt, since they were acting in opposition to God’s will.[3]

The more recent view which has been the majority position in the church since St. Augustine in the fourth century is that the Sons of God refers to the god-fearing line of Seth; and the daughters of men refers to the daughters of the unbelieving line of Cain. Variations on this theme include the idea, proposed by Meredith Kline, that the Sons of God were kings or priests who took any woman they chose to be their wife.

Still others hold that the Sons of God were other created men. It is argued that the Bible does not describe every person that was created, but only key individuals or situations are included within the text. Those holding to this position call into question the origin of Cain’s wife or those whom he feared would kill him Genesis 4:14-17 . However, this view falls into conflict with Genesis, which states that Eve is the mother of all the living.

After the Flood

In Genesis 6 , where the global flood is described, it states that the Nephilim were also on the Earth afterward. Many therefore, assume that many of the descriptions of giants in the Bible are references to Nephilim bloodlines. However, the only specific mention of Nephilim on the earth after the flood is part of the bad report from the spies in Numbers 13:33 , a report that is called “bad” (or “evil”) as in an unreliable source.

In The Genesis RecordHenry Morris summarizes:

There were giants “also after that,” in the days of the Canaanites, and these were likewise known as, among other things, the Nephilim (Numbers 13:33). Humanly speaking, they were descended from Anak, and so were also known as the Anakim. These people were, of course, known to Moses and it was probably he who editorially inserted the phrase “and also after that” into Noah’s original record here in Genesis 6:4. Moses probably also inserted the information that these were the “mighty men of old, men of renown,” men whose exploits of strength and violence had made them famous in song and fable in all nations in the ages following the Flood. To rebellious men of later times, they were revered as great heroes; but in God’s sight they were merely ungodly men of violence and evil.[4]

Several tribes are encountered in the campaign of the Five Kings in Abraham’s day that some argue might be Nephilim or hybrids of Nephilim. They are described as having become several tribes occupying the lands around the Valley of Siddim (Dead Sea) and evidently intermixed with the Canaanites.

Genesis 14 and Deuteronomy 2 name these tribes as the Rephaim (“titans”, children of “Rapha”), Zuzim or Zamzummim (“terrible ones”), Emim, Horites, and Anakim (“crushing tyrants”). The tribe of the Anakim are directly connected with the Nephilim in the false report of the spies described in (Numbers 13:33 ). The context of the passages suggest that the other tribes of giants were relatives of the Anakim or other lines of Nephilim, particularly the Rephaim whose giant descendant is described as living in Gath along with the Anakim Goliath and Lahmi (see below). The Rephaim are giants (in fact these peoples are generally described as being tall or large) and seem to have been thus matched with the Nephilim based on the English rendering of “giants” in Genesis 6.

The tribe of the Anakim were descended from a giant named Anak, who was a son or grandson of a giant named “Arba”, from which the ancient city of Hebron was originally called “Kiriath Arba” or “The City of Arba” because “Arba was the greatest man among the Anakim”[5]. This tribe was so tall, that the weak-kneed spies reported, “we are like grasshoppers to them.”

Scripture describes how the tribes of giants were fought and destroyed by the tribes of normal men who replaced them, including the Israelites. Moses killed Og, king of the Rehpaim who lived on the Golan heights near Mt. Hermon. Og had a bed nine cubits long (13.5 to 15.5 feet, depending on which cubit was used) and was called “last of the remnant of the giants”[6]. Og may be the source of the word “ogre” in the English language.

Joshua drove the three remaining sons of Anak out of Hebron in his first campaignm. They evidently reoccupied the city of Hebron while Joshua was waging his campaign against Canaanite cities in the North. Caleb later retook Hebron and killed the three giants[7].

Later David and Saul fought a remnant of smaller giants who had taken refuge in the Philistine city of Gath. They included Goliath, who was about nine feet tall, and his brother Lahmi “whose spear had a shaft like a weaver’s rod”. The last of the Gittite giants was slain, “In still another battle, which took place at Gath, there was a huge man with six fingers on each hand and six toes on each foot—twenty-four in all. He also was descended from Rapha”[8].

The last Scriptural reference to the giants may be Isaiah 45:14 , which prophecies that Sabean “men of stature” will become slaves in chains of the redeemed Israelites.

The characteristics of these tribes described in Scripture:

  • Their height was two or three times the height of normal men.
  • They were associated with some kind of unholy intermixing before the Flood.
  • They were closely associated with the wicked Canaanites after the Flood.
  • In one case they are described as having polydactyly (extra fingers and toes).
  • Unlike the Canaanites, there are no examples of Nephilim who became followers of God.

Apocryphal references

The Nephilim are described in great detail in the Book of Jubilees and Book of Enoch. Both of these books have been traditionally rejected as apocryphal by the European Church. However, they were both considered canonical by the Ethiopic Church from the time of Christ until today, and the Book of Enoch was quoted in the Biblical Epistle of Jude.

Jubilees has the following to say about the sons of God and the Nephilim:

“And in the second week of the tenth jubilee [449-55 A.M.] Mahalalel took unto him to wife Dinah, the daughter of Barakiel the daughter of his father’s brother, and she bare him a son in the third week in the sixth year, [461 A.M.] and he called his name Jared, for in his days the angels of the Lord descended on the earth, those who are named the Watchers, that they should instruct the children of men, and that they should do judgment and uprightness on the earth.” – Jubilees 4:15
“And it came to pass when the children of men began to multiply on the face of the earth and daughters were born unto them, that the angels of God saw them on a certain year of this jubilee, that they were beautiful to look upon; and they took themselves wives of all whom they chose, and they bare unto them sons and they were giants. And lawlessness increased on the earth and all flesh corrupted its way, alike men and cattle and beasts and birds and everything that walks on the earth -all of them corrupted their ways and their orders, and they began to devour each other, and lawlessness increased on the earth and every imagination of the thoughts of all men (was) thus evil continually. And God looked upon the earth, and behold it was corrupt, and all flesh had corrupted its orders, and all that were upon the earth had wrought all manner of evil before His eyes. And He said that He would destroy man and all flesh upon the face of the earth which He had created. But Noah found grace before the eyes of the Lord. And against the angels whom He had sent upon the earth, He was exceedingly wroth, and He gave commandment to root them out of all their dominion, and He bade us to bind them in the depths of the earth, and behold they are bound in the midst of them, and are (kept) separate. And against their sons went forth a command from before His face that they should be smitten with the sword, and be removed from under heaven. And He said ‘My spirit shall not always abide on man; for they also are flesh and their days shall be one hundred and twenty years’. And He sent His sword into their midst that each should slay his neighbour, and they began to slay each other till they all fell by the sword and were destroyed from the earth.” – Jubilees 5:1-8

The Book of Enoch has the following to say about them:

“It happened after the sons of men had multiplied in those days, that daughters were born to them, elegant and beautiful. And when the angels, the sons of heaven, beheld them, they became enamoured of them, saying to each other, Come, let us select for ourselves wives from the progeny of men, and let us beget children. Then their leader Samyaza said to them; I fear that you may perhaps be indisposed to the performance of this enterprise; And that I alone shall suffer for so grievous a crime.
But they answered him and said; We all swear;
And bind ourselves by mutual execrations, that we will not change our intention, but execute our projected undertaking. Then they swore all together, and all bound themselves by mutual execrations. Their whole number was two hundred, who descended upon Ardis, which is the top of mount Armon.
That mountain therefore was called Armon, because they had sworn upon it, and bound themselves by mutual execrations. [Mt. Armon, or Mt. Hermon, derives its name from the Hebrew word herem, a curse.]
These are the names of their chiefs: Samyaza, who was their leader, Urakabarameel, Akibeel, Tamiel, Ramuel, Danel, Azkeel, Saraknyal, Asael, Armers, Batraal, Anane, Zavebe, Samsaveel, Ertael, Turel, Yomyael, Arazyal. These were the prefects of the two hundred angels, and the remainder were all with them.
Then they took wives, each choosing for himself; whom they began to approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.
And the women conceiving brought forth giants,
Whose stature was each three hundred cubits. These devoured all which the labor of men produced; until it became impossible to feed them; When they turned themselves against men, in order to devour them; And began to injure birds, beasts, reptiles, and fishes, to eat their flesh one after another, and to drink their blood. Their flesh one after another. [Or, “one another’s flesh.” R.H. Charles notes that this phrase may refer to the destruction of one class of giants by another.]
Then the earth reproved the unrighteous.
Moreover Azazyel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered.
Impiety increased; fornication multiplied; and they transgressed and corrupted all their ways.
Amazarak taught all the sorcerers, and dividers of roots: Armers taught the solution of sorcery; Barkayal taught the observers of the stars, Akibeel taught signs; Tamiel taught astronomy; And Asaradel taught the motion of the moon,
And men, being destroyed, cried out; and their voice reached to heaven.” – Enoch 6-7.

Prometheus is a 2012 American science fiction film directed by Ridley Scott and written by Jon Spaihts and Damon Lindelof. The film stars Noomi RapaceMichael FassbenderGuy PearceIdris ElbaLogan Marshall-Green, and Charlize Theron. Set in the late 21st century, the story centers on the crew of the spaceship Prometheus as they follow a star map discovered among the remnants of several ancient Earth cultures. Led to a distant world and an advanced civilization, the crew seeks the origins of humanity, but instead discovers a threat that could cause the extinction of the human race.

The film began development in the early 2000s as a fifth entry in the Alien franchise, with both Scott and director James Camerondeveloping ideas for a film that would serve as a prequel to Scott’s 1979 science fiction horror film Alien. By 2003, the project was sidelined by the development of Alien vs. Predator, and remained dormant until 2009 when Scott again showed interest. A script by Spaihts acted as a prequel to the events of the Alien films, but Scott opted for a different direction to avoid repeating cues from those films. In late 2010, he brought Lindelof onto the project to rewrite Spaihts’ script, and together they developed a separate story that precedes the story of Alien but is not directly connected to that franchise. According to Scott, though the film shares “strands ofAlien’DNA, so to speak”, and takes place in the same universePrometheus explores its own mythology and ideas.

The film entered production in April 2010, with extensive design phases developing the technology and creatures the film required.Principal photography began in March 2011, on an estimated $120–130 million budget, with filming taking place almost entirely on practical sets and on location in England, Iceland, Spain, and Scotland. The film was shot entirely using 3D cameras.

Prometheus was supported by a marketing campaign that included viral activities on the web. The campaign released three videos that featured stars from the film, in character, which expanded on elements of the fictional universe and received a generally positive reception. Prometheus was released on June 1, 2012 in the United Kingdom and was released on June 8, 2012 in North America.

Plot

As a hovering spacecraft departs, a humanoid alien drinks a dark bubbling liquid, and then starts to disintegrate. As its bodily remains cascade into a waterfall, the alien’s DNA triggers a biogenetic reaction.

In 2089, archaeologists Elizabeth Shaw and Charlie Holloway discover a star map among several unconnected ancient cultures. They interpret this as an invitation from humanity’s forerunners, or “Engineers”. Peter Weyland, the elderly CEO of Weyland Corporation, funds the creation of the scientific vessel Prometheus to follow the map to the distant moon LV-223. The ship’s crew travels in stasiswhile the android David monitors their voyage and studies linguistics such as Schleicher’s fable. Arriving in 2093, they are informed of their mission to find the Engineers. Mission director Meredith Vickers orders them to avoid making contact without her permission. The Prometheus lands near a large artificial structure, which a team explores.

Inside they find numerous stone cylinders, a monolithic statue of a humanoid head, and the corpse of a large alien, thought to be an Engineer. They find other bodies and presume the species is extinct. David secretly takes a cylinder, while the remaining cylinders begin leaking dark liquid. A rapidly approaching storm forces the crew to return to Prometheus, leaving crew members Millburn and Fifield stranded in the structure. In the ship, the Engineer’s DNA is found to match that of humans. Meanwhile, David investigates the cylinder and discovers a dark liquid. He intentionally infects Holloway with the substance. Shaw and the unknowingly infected Holloway later have sex.

Inside the structure, a snake-like creature kills Millburn, and it sprays a corrosive fluid that melts Fifield’s helmet, exposing him to the leaking dark liquid. The crew later returns to the structure and finds Millburn’s corpse. David separately discovers a control room containing a surviving Engineer in stasis, and a star map highlighting Earth. Holloway’s infection rapidly ravages his body, and he is rushed back to Prometheus. Vickers refuses to let him aboard, and at his urging, burns him to death with a flamethrower. Later, a medical scan reveals that Shaw, despite being sterile, is pregnant with an alien offspring. Shaw uses an automated surgery table to cut it out. Weyland is revealed to have been in stasis aboardPrometheus, and explains to Shaw he wants to ask the Engineers to prevent his death from old age. As Weyland prepares to leave for the structure, Vickers calls him “Father”.

A mutated Fifield attacks the hangar bay and kills several crew members before being killed himself. The Prometheus‘ captain, Janek, speculates that the structure was part of an Engineer military base that lost control of its biological weapon, the dark liquid. Janek also determines that the underground structure is in fact a spaceship. Weyland and a team return to the structure and awaken the Engineer. David speaks to the Engineer, who responds by decapitating him and killing Weyland and his team. Shaw escapes the spaceship as the Engineer activates it. David’s still-active head reveals the Engineer is going to release the liquid on Earth. Shaw convinces Janek to stop the Engineer’s spaceship. Vickers and her lifeboat are ejected before Janek crashes Prometheus into the Engineer’s spaceship. The Engineer’s disabled spaceship crashes onto the planet, killing Vickers. Shaw goes to Vickers’ lifeboat and finds her alien offspring, which has grown to gigantic size. David warns Shaw over the intercom that the Engineer survived the crash. The Engineer bursts into the lifeboat and attacks Shaw. She releases her alien offspring onto the Engineer; it thrusts a tentacle down the Engineer’s throat, subduing it. Shaw recovers David’s remains, and with his help, they launch another Engineer spaceship. She intends to reach the Engineers’ homeworld in an attempt to understand why they created humanity and later wanted to destroy it.

In the lifeboat, an alien creature bursts out of the Engineer’s chest.

Cast

An archaeologist. Rapace described Shaw as a believer “in God” with a “very strong faith”, but that “things happen and she changes into more of a warrior.”[5] To aid her method acting she developed a complete backstory for Shaw in her head,[6] and worked with a dialect coach to help achieve an appropriate British accent,[7] she also had her make-up artist apply extra blood and sweat during filming to more accurately portray her character.[8] Rapace noted, “I was out there filming for about six months and it was super-intense, my body was in so much pain sometimes but it was absolutely amazing.”[9] She has dismissed comparisons to the Alien franchise‘s Ellen Ripley.[10] Coming to director Ridley Scott‘s attention for her performance as Lisbeth Salander in the 2009 drama film The Girl with the Dragon Tattoo, Rapace met him in August 2010,[11] and by January 2011 she had secured the role.[12] Actresses Anne HathawayNatalie PortmanGemma ArtertonCarey Mulligan, and Abbie Cornish, were all considered for the role during development.[13][14][15] Eight-year-old actress Lucy Hutchinson portrays Shaw as a child.[16]
An android designed to be indistinguishable from humans. The ship’s butler and maintenance man, it begins to develop “its own ego, insecurities, jealousy and envy”.[17][18]Fassbender stated: “David’s views on the human crew are somewhat childlike. He is jealous and arrogant because he realizes that his knowledge is all-encompassing and therefore he is superior to the humans. David wants to be acknowledged and praised for his brilliance”.[19] Writer Damon Lindelof stated that the character provides a non-human perspective on the film’s events, saying “what does the movie look like from the robot’s point of view? If you were to ask him, ‘What do you think about all of this? What’s going on? What do you think about these humans who are around you?’ Wouldn’t it be cool if we found a way for that robot to answer those questions?”[20] In developing his character, Fassbender avoided watching the android characters of Alien and Aliens (1986), and instead observed the replicants in Scott’s 1982 science fiction film Blade Runner, with a focus on Sean Young‘s character Rachael, whose “vacancy” and longing for a soul interested him.[21] He drew further inspiration from the voice of the HAL 9000 computer in2001: A Space Odyssey,[21] the “funny walk and economy of movement” of Olympic diver Greg Louganis,[22][23] and the performances of David Bowie in The Man Who Fell to EarthDirk Bogarde in The Servant, and Peter O’Toole in Lawrence of Arabia.[24] David’s blond hair was modeled after T. E. Lawrence.[25] Scott favored Fassbender for the role; by January 2011 he was confirmed to join the cast,[26] despite earlier reports his agents had sought too high a fee for their client.[17]
The billionaire founder and CEO of Weyland Corp.[27][28] Lindelof described him as having a massive ego and suffering from a god complex.[27] Pearce has claimed that his appearance in the movie is brief, saying “I’m only [in the film] for a minute”.[29] It took five hours to apply the necessary prosthetics and make-up to transform Pearce into the elderly Weyland, and one hour to remove it. Pearce observed old people to gain insight into the movement for his character, as he found replicating the impeded physical movement the most difficult part of the role.[30] Max von Sydow was Scott’s original choice to play Weyland, but Pearce was cast to allow him to portray both an elderly and young Weyland who appeared in early script drafts.[31]
The captain of the Prometheus.[32] Elba described the character as “a longshoreman and a sailor“, with a military background.[19][33] He noted “[being the captain is] his life and the crew is his responsibility,”[19] and said “he’s a realistic, pragmatic character. He has to get involved…in a film with huge ideas, you need a character like this, who can go ‘Wait…why are we doing this?'”.[33]
An archeologist and Shaw’s love interest.[34][35] Marshall-Green was cast after being seen performing on stage “off-off-off Broadway“.[35] He described Holloway as the “X Gamestype scientist”, explaining that he liked the character’s “leap-before-looking” philosophy. He further noted that Holloway “doesn’t want to meet his maker. He wants to stand next to his maker. He’s willing to go to the edge to get that.”[35] Describing the character’s motivation, he stated: “he goes to the extreme in everything he does, sometimes for the better, sometimes for the worse of the [Prometheus crew]. I think what drives him is the thrill of the search.”[19] He contrasted Holloway to Shaw, saying “she’s the believer. I’m the scientist. I’m the skeptic. I’m the atheist”.[36]
A Weyland Corporation employee, sent to monitor the expediton.[19][37] Theron described the character as “a suit who slowly sheds [her] skin through the film”,[38] and also as “somewhat of a villain … [who] definitely has an agenda”.[39] She stated “Vickers is pragmatic, and desperately wants to control the situation.”[19] Scott wanted the character to lurk in the background of scenes watching other characters instead of being the focus. Theron stated that it helped layer her character because “you’re just so suspicious of her, instantly.”[40] The similar appearances and mannerisms of Vickers and David were intended to raise the possibility that David was based on Vickers’s DNA, or that Vickers is an android herself.[41] After Theron’s casting, she developed three new scenes with Scott and Lindelof to expand her character.[3] Physical action scenes were an issue for Theron because of scenes that involved her running through sand in 30 pounds (14 kg) boots, and her cigarette habit.[40] Theron was intended to portray Shaw, but a prior commitment to Mad Max 4: Fury Road prevented her involvement. When that film was delayed, she was able to rejoin Prometheus.[42] Michelle Yeoh and Angelina Jolie[12] were considered for the role.[17]
biologist. Spall auditioned for another role, but Scott wanted him to play Millburn.[43][44] On his casting, Spall said “Alien is one of the best films ever made, and it’s a real buzz to be in a space suit on an ‘Alien’ set with Ridley Scott coming and speaking to you. It’s incredible. That’s why I wanted to be an actor, to be in a space suit on an ‘Alien’ set”.[45]
geologist who has become unstable after many missions.[46][47] Harris described the character as “someone who can sense when things are up. He’s your audience guy, going, ‘Don’t go in that tunnel. We should not be doing this!'”.[47] Fifield’s bright red mohawk hairstyle was designed by Harris and Scott, based on Scott’s sketch of a man with a “severe haircut”.[47]

Other cast members include Kate Dickie as the ship’s medic, Ford;[44] Emun Elliott and Benedict Wong as, respectively, ship pilots Chance and Ravel;[48][49] and Patrick Wilsonas Shaw’s father.[50]

Production

Development

Development on a fifth film in the Alien franchise was in progress by 2002. At the time, Scott was considering returning to the series he created with his 1979 science fiction horror film Alien, to pursue a sequel that would explore the engineered origins of the series’ Alien antagonists,[51] and the “space jockey”—the extraterrestrial being, who briefly appears inAlien, as the deceased pilot of a derelict spaceship.[52] Alien star Sigourney Weaver also expressed interest in returning to the series.[53] Aliens director James Cameron discussed the potential for a sequel with Scott, and began working with another writer on a story for the film. It was then that 20th Century Fox approached Cameron with a script for a crossover film that would pit the series’ monsters against the titular characters of the Predator films; what would become the 2004 science fiction film Alien vs. Predator.[54] After Fox confirmed that it would pursue the crossover, Cameron stopped working on his own project, believing the crossover would “kill the validity of the franchise”.[55] In 2006, Cameron confirmed that he would not return to the project, believing that the series was Fox’s asset, and he was unwilling to deal with the studio attempting to influence the potential sequel.[54]

In May 2009, Fox first reported the project as a “reboot”[56] to the Alien franchise, which was soon afterwards expressed as a then untitled prequel to Alien.[57][58] Development stalled in June 2009, when Fox clashed with Scott over his selection of former commercial director Carl Erik Rinsch as director. Fox was only interested in pursuing the project if Scott directed.[59] By July 2009, Scott was attached to direct the film, and screenwriter Jon Spaihts was hired to pen the script based on his pitched idea for a direct Alienprequel.[40][60] With both director and writer in place, and pleased with Spaihts’ pitch, Fox scheduled a release date for December 2011, but this was eventually dropped.[61] In June 2010, Scott announced that the script was complete and that pre-production would begin, with a filming date set for January 2011.[62] However, by July 2010, Lindelof had been hired to redevelop Spaihts’s screenplay into a more original work.[63][64] In October 2010, Lindelof submitted his refined screenplay to Fox. The studio was pleased because it had contested Scott’s proposed budget of $150–160 million and found Lindelof’s screenplay to be more budget-conscious;[citation needed] Scott had initially requested a $250 million budget and an adult oriented product, but Fox was reluctant to invest this amount of money, and wanted to ensure the film would receive a lower age-rating to broaden the potential audience.[65]

In December 2010, it was reported that the film would be called Paradise,[17] named after the John Milton poem Paradise Lost, but Scott considered that it would convey too much about the film. Fox CEO Thomas Rothman suggested Prometheus, which was confirmed as the title in January 2011.[66][67] A release date was scheduled for March 9, 2012, but weeks later the date was pushed back to June 8, 2012.[66][68] With the name confirmed, the production began to publicly distance the film from its Alien origins. The filmmakers were deliberately vague about the connection between the films, believing it would build audience anticipation for Prometheus.[64] Scott stated that “while Alien was indeed the jumping-off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien‘s DNA, so to speak, but the ideas tackled in this film are unique, large and provocative.”[69] In June 2011, Scott and Lindelof confirmed that Prometheus takes place in the same universe as the events of the Alien series.[70][71] In July 2011, Scott stated that “by the end of the third act you start to realize there’s a DNA of the very first Alien, but none of the subsequent [films]”.[72]

Writing

“…We’re exploring the future… away from Earth and [asking] what are people like now? … Space exploration in the future is going to evolve into this idea that it’s not just about going out there and finding planets to build colonies. It also has this inherent idea that the further we go out, the more we learn about ourselves. The characters in this movie are preoccupied by the idea: what are our origins?”

Damon Lindelof, concerning the scope of Prometheus.[73]

Spaihts met Scott in late 2009, where they discussed Scott’s desire to pursue an Alien prequel. Spaihts offered his concept, including a “bridge” that would connect the film’s “human story” to the Alien saga. He was quickly hired, which he credited to the reception of his “bridge” idea. Spaihts claimed his concept was created in the moment, and he had no ideas planned in advance. Spaihts set about writing a 20-page “extremely detailed outline”, and within three and a half weeks his first draft was complete, and submitted to the producers on Christmas Day, 2009. Within 12 hours, Scott returned the script with notes for changes, and Spaihts spent the Christmas holiday redrafting.[61]

Spaihts was tasked with exploring unresolved mysteries from Alien such as the Space Jockey. He saw the driving mysteries of Alien as “alien in nature”, stating “all the mysteries have alien players: the exoskeleton nightmare and… the elephantine titan that was called the ‘space jockey’… How do you make anyone care about events between creatures like this?” He found a solution in tying the alien mysteries to the past and future of human history. He explained: “if that story is somehow ours, and deeply enmeshed with the human story. That story changes meaning within our own life, things of such significance that we think of our own lives differently”.[74] He found translating Scott’s stylistic visual concepts to text difficult, and he periodically had to rein in some of the director’s ideas such as reminding Scott that in the scene they were discussing, the characters were subject to gravity and so could not simply float.[61] By April 2010, the script was on the fourth draft.[75] Scott described the script, saying “we are talking about gods and engineers. Engineers of space. And were the aliens designed as a form of biological warfare? Or biology that would go in and clean up a planet?”[76] In June 2010, Scott stated that the script was complete and ready for filming.[62]

However, Scott instead contacted Lindelof and requested that he review Spaihts’ script.[77] Within the hour, a messenger delivered the script to Lindelof and informed the writer that he would be waiting outside to take it back as soon as Lindelof had finished reading it.[78] Unaware of what the producers liked about the existing script, Lindelof informed Scott and the producers that he found the general concept appealing, but that the story relied too heavily on elements of the Alien films, such as the general concept of the Alien creatures life-cycle. As a direct prequel to Alien, it was focused on leading into that film’s story, and recreating the familiar cues of that series,[77] and Scott was adamant that he avoid repeating previous accomplishments.[79] Lindelof clarified, “If the ending to [Prometheus] is just going to be the room that John Hurt walks into that’s full of [alien] eggs [in Alien], there’s nothing interesting in that, because we know where it’s going to end. Good stories, you don’t know where they’re going to end.”[79] “A true prequel should essentially proceed [sic] the events of the original film, but be about something entirely different, feature different characters, have an entirely different theme, although it takes place in that same world.”[71]

Writer Damon Lindelofpromoting Prometheus atWonderCon in 2012. Lindelof was hired to rewrite Jon Spaihts‘s original script.

Lindelof suggested that the other parts of the script were strong enough to survive without the Alien hallmarks, such as the Alien creature which he believed had been “diluted” by the exposure it had received since, and the burden of “all the tropes of that franchise with Facehuggers and Chestbursters”.[71][80] He offered that the film could instead run parallel to those films, such that a sequel would be Prometheus 2 and not Alien, and submitted an idea for how such a sequel could work. He met with the producers the following morning, and was hired shortly afterwards in late 2010.[40][80] Under Lindelof, the script began to divert from Spaihts’ Alien prequel into a more original creation.[40] Scott and Lindelof worked together five days a week between July and August 2010, trying to piece together exactly what vision Scott was trying to convey and how the script needed to change, including scaling back the Alien symbology and tropes. Beginning in August, Lindelof spent four to five weeks writing his first draft before submitting it mid-September 2010.[64] Inspired by Blade Runner and Spaihts’ script, Lindelof thought that it would be possible to combine an Alien story of action and horror with “the Blade Runner thematic”,[77] to ask bigger questions that he felt were normally posed in science fiction films. Lindelof explained:

Blade Runner might not have done well [financially] when it first came out, but people are still talking about it because it was infused with all these big ideas. [Scott] was also talking about very big themes in Prometheus. It was being driven by people who wanted the answers to huge questions. But I thought that we could do that without ever getting too pretentious. Nobody wants to see a movie where people are floating in space talking about the meaning of life … That was already present in [Spaihts’] original script and [Scott] just wanted to bring it up more.
[77]

Scott’s story concept was partially inspired by the work of Chariots of the Gods? author Erich von Däniken‘s writings about the theory of ancient astronauts, suggesting that life on Earth was created by aliens.[58][70] Scott said, “NASA and the Vatican agree that [it is] almost mathematically impossible that we can be where we are today without there being a little help along the way… That’s what we’re looking at [in the film], at some of Erich von Däniken’s ideas of how did we humans come about.”[70]Spaihts originated the idea that David, the android, is like humans, but does not want to be anything like them, eschewing a common theme in “robotic storytelling” such as Blade Runner. He also developed the theme that while the human crew are searching for their creators, David is already among them. Scott liked these ideas and had them explored further in Lindelof’s rewrite.[81] For Shaw, Lindelof felt it was important that she be distinct from Alien‘s Ripley, to avoid inevitable comparisons between the two female leads. In Spaihts’ draft, Shaw was directly responsible for the events of the plot because of her desire to seek out potentially dangerous knowledge. As with David, Lindelof further expanded this facet of the character during his rewrites. Lindelof spent approximately eight months developing the script, finishing in March 2011, as filming began.[82]

Pre-production

Pre-production had begun by April 2010, with a team developing graphic designs for the film’s requirements.[75] Scott convinced Fox to invest millions of dollars into the hiring of scientists and conceptual artists to develop a vision of the late 21st century.[3] Production of Prometheus was marked by a high degree of secrecy[83] with story details “extremely under-wraps.”[84] Determined to maintain the secrecy of the plot, Scott required the cast to sign clauses to prevent them disclosing story details, and the cast were only allowed to read the script under supervision in Scott’s production office.[85] One exception was made when a courier flew to one of the actors in a foreign location and then stood guard while the actor read the script.[85] Concerning the confidential nature of the script, Scott stated: “I was insistent that the script not leak onto the internet, where it gets dissected out of context, which spoils it for everyone.”[85]

In July 2011, Lindelof stated that the film would be relying on practical effects, and employing CGI generally for on-set pre-visualization of external space visuals.[86] Scott recalling advice special effects artist Douglas Trumbull gave him on the set of Blade Runner stated, “if you can do it live, do it live”, with Scott claiming that although “you can pretty much do anything you want”[87] with digital technology, practical effects are more cost effective.[22][88] Cinematographer Darius Wolski convinced Scott that it would be possible to film in 3Dwith the same ease and efficiency of typical filming. 3D company 3ality Technica provided some of the rigs and equipment to facilitate 3D filming, and trained the film’s crew in their proper operation.[89] According to Scott, the decision to film in 3D added $10 million to the film’s budget.[90] Since 3D films need high lighting levels on set, the hallmark atmosphere of the Alien films with darkness and shadows was added in post-production through grading processes, while the 3D equipment was based on post-Avatar technology.[91][92]

Principal photography

Ridley Scott directing Noomi Rapace on the set of Prometheus.

Principal photography began on March 21, 2011, on an estimated $120–130 million budget.[3][93] Filming was scheduled to take place over six months,[10] but it took longer than forecast: the film was still being shot in September 2011.[94] Filming began at Shepperton Studios in Surrey, England, part of the Pinewood Studios group,[7] where Scott used eight sound stages for filming, including the 007 Stage.[85][95] Studio space was limited and the crew were forced to make the stages work for over 16 different sets, and also increase the size of the 007 stage by over 30%.[96]

In July, filming moved to Iceland for two weeks, commencing at the base of the active Hekla volcano in southern Iceland on July 11, 2011. Speaking about working at the base of an active volcano, Scott stated “If one is afraid of nature in this profession then it would be best to find a different job”.[97] Filming also took place at one of the most powerful waterfalls in Europe, the Dettifoss waterfall in the north east of Iceland, in the Vatnajökull National Park.[98] The Iceland shoot involved 160 Icelandic crew members and over 200 imported crew.[97]Scott claimed that the Iceland filming comprised approximately fifteen minutes of footage for the film, and that the area represented the “beginning of time”.[99] Exterior shots of the alien world were shot in Iceland.[100] Morocco had been an intended shooting location instead of Iceland, but the 2010 Arab Spring protests forced the change of venue.[3] Alternatives including the Mojave Desert had been considered alongside Iceland,[101] but Scott explained that the country was ultimately chosen because “here it is so rough and ‘Jurassic-like’ and that proved decisive”.[97]

In September 2011, filming moved to the Ciudad de la Luz audiovisual complex in Alicante, Spain. Shooting areas included the complex’s large water tank, and a nearby Alicante beach.[94][102] The complex was booked from August 22, 2011, through to December 10, with set construction occurring from August until late September.[94] Approximately 250 people worked on the three month-long Spain shoot, generating over 1 million to the local economy.[103] Filming also took place in the Wadi Rum valley in Jordan.[3]

Scott avoided using green screens unless necessary, instead employing various items to help the actors understand where they were meant to be looking in any particular scene on the practical sets that would have a CGI presence inserted in post-production.[104] Rapace claimed that green screens were used less than six times during filming.[79] The production used five 3ality Technical Atom 3D rigs, four of which were configured with Red Epic 3D cameras set up for use on camera dollies and tripods, which were continuously in use during filming. The fifth rig employed an Epic camera for use as a steadicam, which was only used as required.[89][105]

Post-production

Scott focused on using the 3D footage to increase the illusion of depth. Despite this being his first 3D film he found the process easy. He stated: “You can literally twiddle a knob and the depth will increase”, “the trick is not to overdo it”.[104] Prometheus contains approximately 1,300 digital effect shots.[104] Moving Picture Company were the lead visual effect studio and produced 420 of the shots.[106] Several other studios also produced the visual effects including Weta Digital,[3] Fuel VFX,[107] Rising Sun PicturesLuma Pictures, Lola Visual Effects, and Hammerhead Productions.[108] In December 2011, Rapace undertook additional dialogue recordings for the film.[5] Additional pick-up scenes were filmed during January 2012, including a one-day shoot on the Isle of Skye, Scotland, and a new scene shot at a cave in the Scottish mountains.[109][110][111] For dark scenes with little lighting, the film was color graded to specifically compensate for the slight dimness introduced by wearing 3D glasses, to ensure the image was comparable to the 2D version.[106]

In July 2011, Scott stated that he was filming Prometheus with both adult-oriented R and more accessible PG-13 film ratings in mind, allowing the more adult content to be cut if necessary without harming the overall presentation. Scott claimed he had a responsibility to 20th Century Fox to be able to present a PG-13 cut of the film if the studio demanded, allowing it to be viewed by a wider potential audience.[112] When asked about the rating, Scott explained “the question is, do you go for the PG-13, or do you go for what it should be, which is R? Financially it makes quite a difference…essentially it’s kinda R…it’s not just about blood, it’s about ideas that are very stressful.”[113] Scott maintained that, regardless of rating, he would present the most “aggressive” cut of the film he could,[113] while Rothman stated that Scott would not be forced to compromise the film’s quality to avoid an R-rating.[114] On May 7, 2012, Fox confirmed that the film had received an R-rating and would be released without any cuts being made.[115][116] A fight scene between Shaw and the Engineer was edited out of the finale because Scott decided that Shaw wounding the Engineer diminished his role.[117] Scott concluded work on the film in March 2012.[118]

Design

Production designer Arthur Max led the film’s design. His art team were tasked with deconstructing the art and visuals of Alien and reverse-designing them for the earlier-time setting of Prometheus.[119][120] Influence was drawn from the work of Alien creature designer H. R. Giger, and designers Ron Cobb and Chris Foss, including their designs for that film which Scott had been unable to develop at the time.[120] Max designed the sets including the alien structures and the alien world landscape, and vehicles, including the Prometheusand Engineer ship.[7][96] Digital 3D models and miniature replicas were built of each set, allowing them to see how sets should connect and to know where the sets would end and the CGI would begin. To better blend the practical and the digital, the design team took rock samples during the Iceland shoot, allowing them to match the graphical textures with the real rocks caught on film.[121] Max researched NASA and European Space Agency designs and developed these concepts with his vision of how space travel would look in the future to create the Prometheus. He stated that he wanted “to do something that was state-of-the-art, which would represent a flagship spacecraft with every technology required to probe into the deepest corners of the galaxy.”

The film’s titular spaceship, as seen in a promotional image.

The interior of the ship was built across a two-level structure, fronted by a large, faceted, wrap around windscreen. Theron’s quarters were designed to represent her high status on the ship, being furnished with modern and futuristic items including Swarovski chandeliers and a Faziolipiano.[96] The ship’s garage was built on the backlot of Pinewood Studios in England. The vehicles within were built over 11 weeks and were designed to operate on difficult terrain while still possessing a futuristic aesthetic. Max created a large Pyramid structure for the alien world, with main interior areas connected by a series of chambers, corridors and tunnels, so expansive that some crew became temporarily lost within. The pyramid was enhanced in post-production to further increase its size.[96] One of the key sets, the chamber where the crew find the humanoid-head statue, was designed to resemble the interior of a cathedral and convey a “quasi religious” impression.[120] Giger designed the murals that appear within the chamber.[72]

For the crew’s space suits, Scott was inspired to include spherical glass helmets after reading a story in Apple co-founder Steve Jobs‘ biography, about building an office out of Gorilla Glass, with Scott remarking “If I’m in 2083 and I’m going into space, why would I design a helmet that has blind spots. What I want is something where I have 360 [vision]. Glass, by then, will be light and you won’t be able to break it with a bullet.”[18]The interior of the prop helmets had nine functioning video screens, internal lighting, an oxygen supply provided by two fans, with battery packs concealed within a backpack. The helmet’s exterior featured a functional light source and high-definition cameras with a transmitter and recorder. For the suit itself, Scott wanted to avoid the unwieldy NASA-style suit. His frequent collaborator, Academy award-winning costume designer Janty Yates, used medical research concepts relating to skin replacement treatments and materials to develop a design that could believably provide a flexible and comfortable garment. The outfit comprised a neoprene suit worn under an outer space suit, a base to which the helmet could be attached, and a backpack.[96]

Aboard the ship, Yates gave the characters their own distinct look. Theron is dressed in an ice-silver, silk mohair suit, with Yates explaining: “[Theron] is the ice queen. It was always our vision to make her look as sculptural as possible”. Fassbender’s David is dressed similar to other crewmen, but his outfit was given finer lines to produce a more linear appearance. To create a casual, relaxed appearance, Marshall-Green’s Holloway was dressed in hoodies, fisherman pants, and flip-flops, while Elba wore a canvas-greased jacket to represent his long career at the helm of a ship.[96]

A key scene involving a large 3D hologram star map was inspired by the 1766 Joseph Wright painting “A Philosopher Lecturing on the Orrery“, in which a scientist displays a mechanical planetarium by candlelight. While discussing the necessity of a star map with Spaihts, Scott mentioned the painting as how he saw the map being physically represented, although he was unaware of the name and described it only as “circles in circles with a candle lit image”. To Scott’s pleasure, Spaihts located the correct image based on his description. Spaihts stated: “making the leap from a star map, to an Enlightenment painting, and then back into the far future. [Scott’s] mind just multiplexes in that way”.[74]

Creature effects

Neal Scanlan and Conor O’Sullivan developed the film’s alien creatures, aiming to convey each creature as having a logical biological function and purpose. Scanlan stated that much of Scott’s inspiration for creature design is drawn from natural life such as plants and sea creatures.[96] The snake-like alien dubbed the “Hammerpede” was given life through a mixture of CGI and practical effects which included digitally removing wires controlling the practical puppet. For a scene where the Hammerpede is decapitated, the VFX team digitally animated and inserted the spontaneous growth of a replacement head.[122] During a scene when the Hammerpede erupts from Spall’s character’s corpse, Scott was in control of the puppet using wires. Scott did not inform Dickie about what was to occur in the scene and her screaming reaction was real. The creature’s design was partially inspired by translucent sea creatures with visible arteries, veins and organs beneath the skin’s surface, and Cobras, creating a “smooth and muscular and powerful” appearance. For the tentacled offspring cut out of Rapace’s Shaw, the “Trilobite”, early designs resembled an Octopus or Squid until designer Neville Page redeveloped the concept as an embryo in an early state of development, with tentacles that began fused together and would gradually split as the creature developed, creating new tentacles. The practical creature was ananimatronic creation.

For its grown form, the “Adult Trilobite”, Max found inspiration from an arthropod-like creature from Earth’s Cambrian era, and the alien octopus illustrations of the Jean Giraud-illustrated The Long Tomorrow comic strip written by Alien writer Dan O’Bannon. The final inspiration for Max’s design came after he found a formaldehyde-preserved giant squid, an image which met with Scott’s approval. The film’s last-unveiled creature, the “Deacon”, was named by Scott for it’s long, pointed head that he considered resembled a “bishop’smitre, the evil deacon’s pointed hat”. Scanlan aimed to design the creature to represent its genetic lineage: beginning with Shaw and Holloway, who produce the Trilobite, which impregnates the Engineer. However, they focused on making the character feminine, claiming that “it was born of a female before being born of a male.” Visual effects art director Steven Messing drew inspiration for the Deacon’s birth scene from horse foal births, and created an iridescent-like appearance for its skin, based on the placenta from foal birth.[123]

Music

Frequent Scott collaborator Marc Streitenfeld composed the musical score for Prometheus.[124] The score was recorded over one week with a 90-piece orchestra at Abbey Road Studios in London, England,[125] where it was also processed by Scott after the fact.[18] Streintenfeld began coming up with ideas for the score after reading the script prior to the commencement of filming. To create an “unsettling” sound, he provided the orchestra with reversed music sheets to have them play segments of the score backwards, before then digitally reversing it.[125] The Prometheus (Original Motion Picture Soundtrack) album was released on iTunes on May 15, 2012,[126] and on CD on June 4, 2012.[127] It features 23 tracks by Streitenfeld, plus two supplemental tracks by composer Harry Gregson-Williams.[128]

Marketing

Ridley ScottCharlize Theron and Michael Fassbender promoting the film atWonderCon in March 2012.

Prometheus‘s marketing campaign began on July 21, 2011, at the San Diego Comic-Con International, where images and footage from the film were presented by Lindelof and Theron, with Scott and Rapace participating via satellite contribution.[73][129] A segment of the footage showed Theron performing “naked push-ups” which attracted much attention.[84][130][131] A teaser poster was revealed on December 14, 2011, with the tagline, “The search for our beginning could lead to our end.”[132] A bootleg recording of an incomplete teaser trailer was leaked online on November 27, 2011, but was swiftly taken down by Fox.[133] The teaser trailer was released on December 22, 2011.[134]

On March 17, 2012, Scott, in partnership with AMC Theaters, hosted the premiere of the first full Prometheus trailer at the AMC Downtown Disney, during WonderCon in Anaheim, California. The event was streamed live via Facebook, Twitter, and the AMC Theater website, and the trailer was posted on AMC’s Youtube channel immediately after its debut.[135] Reaction to the trailer was considered to be positive among WonderCon attendees and on Twitter,[136] and it received nearly three million views in the three days following its release.[137] On April 10, 2012, media outlets were shown a 13 minute montage of scenes from the film’s opening in 3D at the Vue Cinema in Leicester Square, London.[138] The screening was well received, with particular mentions given to the 3D visuals and the performances of Fassbender, Rapace, Theron, and Elba.[24][138][139]

On April 29, 2012, the international launch trailer debuted in the United Kingdom on Channel 4 during the first advertisement break of the TV show Homeland. Viewers were encouraged to share their opinions about the trailer on Twitter, some of which were then shared in a live broadcast during a later break. This marked the first time that viewers’ tweets were used in a broadcast advertisement.[140][141] Alongside the trailer, a competition was launched on the social platform Zeebox, offering viewers a chance to win tickets to the film whenever Zeebox detected the advertisement airing.[142] On May 8, 2012, the advertisement became subject to an investigation by the British broadcasting regulatory bodyOfcom for allegedly breaching broadcast rules when a voice over encouraged viewers to book tickets while the advertisement played and with the Channel 4 logo onscreen. The act potentially broke a rule that advertising and teleshopping must be clearly distinguishable from editorial content.[143][144]

Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors,Amazon, and Verizon FiOS. The campaigns were estimated to have spent $30 million in marketing support. Amazon directed interested users to purchase tickets throughFandango, and placed promotional material in products shipped to customers; this was the first time that Amazon had allowed such marketing by an external company.[145] The premiere in London, England, was streamed live via the film’s website and the Verizon FiOS Facebook. The event was facilitated by BumeBox, which culled audience questions from social sites and delivered them to reporters to ask at the event.[146] The National Entertainment Collectibles Association (NECA) are developing a series of Prometheus action figures, scheduled for release in September 2012.[147] Prometheus: The Art of the Film, a book containing production art and behind-the-scenes photos from the film, was released on June 12, 2012.[148]

Viral campaign

An advertisement for “David” printed in newspapers.

A viral marketing campaign began on February 28, 2012, with the release of a video featuring a speech by Pearce, in character as Peter Weyland, about his vision for the future. Set in 2023, the video presents a futuristic vision of a TED conference, an annual technology and design event held in Long Beach, California. The segment was conceived and designed by Scott and Lindelof, and directed by Scott’s son, Luke. The production was made in collaboration with, and made available through TED because Lindelof wanted to introduce new audiences to the conference itself. Lindelof explained that the scene takes place in a futuristic stadium rather than the smaller locations of real TED conferences because “a guy like Peter Weyland—whose ego is just massive, and the ideas that he’s advancing are nothing short of hubris—that he’d basically say to TED, ‘If you want me to give a talk, I’m giving it in Wembley Stadium.'”[27]

TED community director Tom Rielly helped gain approval for the use of the TED brand, which had not previously been used for promotional purposes. He was involved in designing the 2023 conference, preparing an “extensive briefing on all the visual and audio aspects of a TEDTalk circa 2012 and a corresponding speculation on how things would work in the future”, that included flying video cameras and “live Twitteresque feedback”. Rielly claimed that the association generated millions of new visitors to the TED website.[149] The video’s release was accompanied by a fictional TED blog about the 2023 conference and a tie-in website for the fictional Weyland Corporation.[150][151] On March 6, 2012, the Weyland website was updated to allow visitors to ‘invest’ in the company as part of a game to reveal new Prometheus media.[152]

During the 2012 WonderCon, attendees at the film’s panel were given Weyland Corporation business cards that directed them to a website and phone number. Calling the number resulted in the caller being sent a text message from Weyland Corporation that linked them to a second viral video. Narrated by Fassbender, the video is presented as an advertisement for the “David 8” android, portrayed by Fassbender.[153] An extended version of the video was released on April 17, 2012. The advertisement details “David”‘s features including its ability to seamlessly replicate human emotions without the restrictions of ethics or distress.[154][155] Accompanying the video, a full page “David” advertisement was placed in The Wall Street Journal; a Twitter account operated by a David8 was revealed, allowing Twitter users to ask the character questions;[156] and a partnership with Verizon FiOS was launched, offering a virtual tour of the Prometheus spaceship.[156] Another video, “Quiet Eye”, starring Rapace as Shaw, was released on May 16, 2012, debuting through the Verizon FIOS Facebook.[146] In the video, Shaw requests Weyland’s aid to seek out alien life, in a phone call monitored by Yutani, a fictional company from the Alien series.[157] In France, the Saint-Martin ghost train station was converted in appearance to resemble alien architecture from the film, visible to passing commuters.[158] The campaign continued following the film’s release with a website highlighted during the film’s end credits. The site referenced the philosophical novelThus Spoke Zarathustra by Friedrich Nietzsche, and featured a further video of Pearce’s Weyland, quoting from the book.[159][160]

Discussing the videos at the May 2012 Digital Hollywood conference, Lindelof claimed that they originated from the question of the film’s status as an Alien prequel. It was decided that creating videos with the film’s stars would generate more interest than anything that could be said in regards to its connection to the Alien films. He furthered that the challenge in creating the videos was that they needed to be good enough to justify their existence, but not so important that their absence from the final film would be an issue for audiences.[161]

Release

The premiere of Prometheus took place on May 31, 2012, at the Empire cinema in Leicester Square, London.[118][162] The film was released on June 1, 2012, in the United Kingdom,[115] and was released on June 8, 2012, in North America.[68] It was simultaneously released in IMAX theaters and in 3D,[163] and it is encoded for D-Box motion seats that provide physical feedback to the viewer during the film.[164]

Pre-release

In the United Kingdom, approximately £1 million ($1.6 million) of tickets were pre-sold.[165] 18,827 tickets pre-sold for the London IMAX, the largest IMAX screen in the country, which broke the theater records for the highest grossing week of pre-sales with £293,312 ($474,687), and the highest grossing first day of pre-sales with £137,000 ($221,717).[166] It extended this record to 30,000 tickets sold and £470,977 ($737,588) earned, becoming the most pre-booked film at the theater, exceeding the performance of high-profile IMAX releases including Harry Potter and the Deathly Hallows Part 2 and Avatar.[167]

In North America, audience tracking showed high interest among males of all ages, but low interest among females.[168] The week preceding release saw conflicting opinions on whether the film or Madagascar 3: Europe’s Most Wanted would place number 1 for the weekend during their simultaneous release. As of June 6, 2012, Fandango reported thatPrometheus was leading with 42% of daily sales, while Madagascar 3 was responsible for 35% of daily sales. Additionally, the online tracking for Prometheus surged with each new piece of promotional footage.[169] However, pre-release tracking is usually less reliable for animated films; since Madagascar 3 was the first truly family-oriented film of the summer, many speculated that there would be large demand for it.[170] The official 20th Century Fox prediction placed Prometheus around $30 million, while DreamWorks Animation andParamount placed Madagascar 3 at about $45 million.[171] As the weekend came closer, pre-release audience surveys suggested a $55 million debut for Madagascar 3 and $50-$55 million for Prometheus.[172] Prometheus was also in the disadvantage of a less wide release (3,394 theaters against 4,258 theaters for Madagascar 3). Furthermore, the R rating of the film was considered a limiting obstacle.[173]

Box office

As of June 15 2012, the film has earned $68,658,127 in North America and $92,736,717 elsewhere for a worldwide total of $161,394,844.[4]

Prometheus was initially released in 15 markets from May 30 to June 1, 2012 – about a week before its North American release. The earlier start in these countries was timed to avoid competition with the start of the 2012 UEFA European Football Championship the following week. On its opening day (it varies depending on the country), it earned $3.39 million in the United Kingdom,[174] $2.2 million in Russia,[175] and $1.5 million in France.[165] The film earned $34.8 million during its opening weekend from 4,695 theaters in 15 markets, debuting at #1 in 14 of them, with an average of $7,461 per theater. Its overall rank for the weekend was third behind Men in Black 3 and Snow White & the Huntsman.[176]Its opening weekends in the United Kingdom, Ireland and Malta ($10.1 million), Russia and the CIS ($9.80 million), and France and the Maghreb region ($6.68 million) represented its largest takings.[177][1] By June 8, the film had opened in a total of 50 markets, seeing further success during its opening weekends in Australia ($7.2 million) and South Korea ($4.2 million).[178]

In North America, the film earned $3.561 million in midnight showings at 1,368 theaters, including $1.03 million from 294 IMAX theaters, and went on to earn $21.4 million through its opening day.[179] During its opening weekend, it earned $51.05 million from 3,396 theaters – an average of $15,032 per theater – ranking second behind Madagascar 3 ($60.4 million). The figure placed it as the second largest opening for a film directed by Scott (behind his 2001 thriller Hannibal), the third largest second-place opening, the ninth largest opening for a prequel, and the tenth largest for an R-rated film. The largest segment of the opening weekend audience was over the age of 25 (64%) and male (57%). 3D showings accounted for 54% of ticket sales, while IMAX contributed 18% – the majority of which was accounted for in the 3D figure.[180][181][4]

Critical response

Michael Fassbender in 2012. Critics were near unanimous in praise for his portrayal of the android David.

The film garnered a 74% approval rating from 235 critics – an average rating of 6.9 out of 10 – on the review-aggregate website Rotten Tomatoes, whose consensus reads: “Ridley Scott’s ambitious quasi-prequel to Alien may not answer all of its big questions, but it’s redeemed by its haunting visual grandeur and compelling performances — particularly Michael Fassbender as a fastidious android.”[182] Metacritic provides a score of 65 out of 100 from 42 critics, indicating “generally favorable” reviews.[183] CinemaScore polls reported that the average grade moviegoers gave the film was a “B” on an A+ to F scale, with audience members under 25 rating it the highest at A-.[179][184] Reviews were frequently praising of both the film’s visual aesthetic and design, and Fassbender’s performance as the android David received almost universal acclaim. However the plot drew a more mixed response, with criticism of plot elements that remained unresolved or were predictable, tempered by appreciation for the action and horror set-pieces.

The Hollywood Reporter‘s Todd McCarthy called the film’s visuals vivid, stunning and magnificent on a technical level, singling out the performances of Fassbender, Rapace and Theron for praise, but lamented that the film catered too much to audience expectations, making it predictable.[185] Time Out London‘s Tom Huddleston felt the plot was “flat” and “predictable”, the characters “emotionless”, and that while the film was “perfectly entertaining”, it did not live up to pre-release expectations.[186] Emanuel Levy cited the plot as his only complaint with the film, stating that it is unable to follow through with its philosophical ideas.[187] Roger Ebert gave the film 4 out of 4 stars, labeling it a “magnificent … blend of story, special effects and pitch-perfect casting, filmed in sane, effective 3-D that doesn’t distract.” Ebert positively compared Rapace to Sigourney Weaver’s performance in Alien as continuing “the tradition of awesome feminine strength”, but considered Elba the most interesting performer. Ebert thought that the plot, in raising questions and not answering them, made the film “intriguing” and in the “classic tradition of golden age sci-fi”.[188]

Total Film‘s Jonathan Crocker however offered that the plot successfully integrated itself with Alien‘s mythology while offering its own original ideas.[189] Entertainment Weekly‘s Lisa Schwarzbaum was positive towards the cast, particularly Rapace, and the cinematography.[190] Salon‘s Andrew O’Hehir offered that the film was “somber, spectacular and ponderous,” but that the ” portentousness and grandiosity…is at once the film’s great strength and great weakness” criticizing characters for lacking “common sense”. O’Hehir also mentioned Wolski’s cinematography and Max’s production design.[191] The New York Times A. O. Scott criticized the story as weak, undermining its “lofty, mindblowing potential” with “bits of momentarily surprising information bereft of meaning or resonance”, but described Rapace as a “fine heroine, vulnerable and determined”.[192]

In a negative review, Variety film critic Justin Chang described the film’s structure and genre as being unable to handle the philosophical undertow of the plot, and felt Prometheuswas “lazily deferring” key plot points under the presumption that a sequel would be made.[193] The Guardian’s Peter Bradshaw was less critical but thought that Prometheus “[lacked] the central punch of Alien“, calling the film “more grandiose, more elaborate – but less interesting”.[194] Ian Nathan of Empire magazine was unimpressed by Rapace — whom he described as an unconvincing lead — and summarised the film as lacking suspense.[195] The Village Voice‘s Nick Pinkerton stated that the film is “prone to shallow ponderousness”, that can “mimic the appearance of an epic, noble, important movie”, but fails to “payoff”. He criticized Rapace and Marshall-Green for failing to instill interest in their character relationship, but added: “there are a few set pieces here that will find a place of honor among aficionados of body horror and all things clammy and viscous”.[196]

Writing in The AtlanticGovindini Murty provided a comprehensive guide to the film’s mythological, literary and cinematic influences – from H.P. Lovecraft, to the drawings of William Blake.[197]

Accolades

Year Award Category Recipient Result Ref.
2012 Golden Trailer Awards Summer 2012 Blockbuster Trailer Prometheus / “Not Alone”, 20th Century Fox, Wild Card Nominated [198]
Best Sound Editing Prometheus, 20th Century Fox, Skip Film Nominated
Teen Choice Awards Choice Movie Breakout Noomi Rapace Pending [199]
Choice Summer Movie – Action Prometheus Pending
Choice Summer Movie Star – Female Charlize Theron (shared with Snow White & the Huntsman) Pending

Home media

In North America, the DVD and Blu-ray disc versions of the film were listed for pre-order in partnership with Amazon, a week before the film had been released in theaters. A limited number of tickets to the film were offered as a pre-order incentive.[200] The film is scheduled for release on Blu-ray disc and DVD on October 9, 2012.[201] In a June 2012, interview Scott stated that the home release would feature an extended cut of the film featuring an additional 20 minutes of footage and up to 30 minutes of deleted scenes.[117] In June 2012,FX obtained the rights to the film’s network premiere.[202]

Sequel

During the March 17, 2012, WonderCon, Scott stated that the film leaves many questions unanswered, and that these could be answered in a sequel, saying “If we’re lucky, there’ll be a second part. It does leave you with some nice open questions.”[22][87] Asked if a sequel would be a direct prequel to Alien, Lindelof said “if we’re fortunate enough to do a sequel… it will tangentialize [sic] even further away from the original Alien.”[18] In June 2012, Lindelof stated that while plot elements were deliberately left unresolved so that they could be answered in a sequel, he and Scott thoroughly discussed what should be resolved so that Prometheus could stand alone, as a sequel was not guaranteed.[203] Further detailing his sequel concept, Scott stated that it would follow Shaw to her next destination, “because if it is paradise, paradise can not be what you think it is. Paradise has a connotation of being extremely sinister and ominous.” Lindelof cast doubt on his participation stating “if [Scott] wants me to be involved in something, that would be hard to say no to. At the same time, I do feel like [Prometheus] might benefit from a fresh voice or a fresh take or a fresh thought.”[204]

See also

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Journals
  • Hewitt, Chris (May 2012). “Why Are We Here?”. Empire (Bauer Media Group).
  • Leyland, Matthew (June 2012). “Origin of the Species”. Total Film (Future plc) (193).
  • Free, Erin; Mottram, James; Pringle, Gill (April 2012). “Inner Space”. Filmink (906).
  • Nashawaty, Chris (December 2, 2011). “Ridley Scott Returns to Space”. Entertainment Weekly (Time Inc.) (1183).
  • McCabe, Joseph; Farley, Jordan; Edwards, Richard (May 2012). “Gods and Monsters / A Shaw Thing / He, Robot”. SFX (Future plc) (222).
  • Nashawaty, Chris (May 18, 2012). “Birth of a New Alien”. Entertainment Weekly (Time Inc.) (1207).

External links

Adam Kokesh and Poker Face Came to Rochester NY

Adam Kokesh and Poker Face Came to Rochester NY Saturday night for Rock The Primary 2012 a Ron Paul event

Unedited Uncut! with Daniel J Leach and Adam Kokesh at McGinny’s Sports Pub .

If you live near Rochester, you did not want to be anyplace else but McGinnys Sports Pub on East River Road for Rock The Primary Party from 6pm-midnight. Guest speaker Adam Kokesh and liberty protest band Poker Face for a Rocking good time.   Poker Face Played at “Rock The Primary” for the first time.   While Adam Kokesh of Adam VS the Man gave a inspirational speech in support of freedom Liberty and Dr Ron Paul for the 2012 Presidential run.   April 21, 2012 Poker Face performing April 21, 2012 in Rochester, NY at McGinny’s Sports Pub
Angela RH Adam is a wonderful person. We had a great time Saturday. It was a lot of planning and hard work but very much worth it.
From Wikipedia, the free encyclopedia
Adam Kokesh

Adam Charles Kokesh (born February 1, 1982) is an American activist and talk radio host. Kokesh was a Corporal in the United States Marine Corps Reserve and is a veteran of the Iraq War. He is an outspoken opponent of the U.S. military intervention in Iraq and has received media attention related to anti-war protest activities. He is the son of Charles Kokesh, a Santa Fe venture capitalist, founder of a firm called Technology Funding and owner of the Santa Fe Horse Park.

Marine Corps service

Kokesh attended the Native American Preparatory School in San Ysidro, New Mexico. He enlisted in the United States Marine Corps in 1999. In 2004, he served in Fallujah. He was a liaison between the U.S. military and Iraqi civilians as a member of the 3rd Civil Affairs Group. He also worked a security checkpoint while in Iraq. He brought home a pistol from Iraq in 2004 in violation of military rules, which prevented his return for a second Iraq tour. Kokesh “had risen to the rank of sergeant after three-and-a-half years in the Reserves” and “was demoted to corporal and soon thereafter discharged honorably with a re-enlistment code that basically said, ‘you can’t re-enlist.'” Having experienced combat in Fallujah, Kokesh received the Combat Action Ribbon and the Navy Commendation Medal after his honorable discharge from active duty.

Poker Face has been dubbed the leading truth/freedom band in the Union. Through the use of various multi-media sources, this four piece band has made it their mission to expose the lies & scandals coming out the Union’s Capitol. With a sound that is unmistakably their own, Poker Face mixes a variety of styles & orchestrations to take you on a true musical journey.
Paul Topete and crew are forever experimenting with new directions. The two previous albums releases focused mainly on developing their works around the keyboard. For the 3rd disc, they have set aside the ivories and focused on a more guitar oriented sound. This has enabled them to create a vibe similar to the acoustic hard rock sound of Alice in Chains or Days of the New, while keeping their roots firmly planted in the melodic classic rock stylings of Boston & Pink Floyd.
The information contained within the Sex, Lies and Politiks album is an in-depth look into the conspiracies and cover-ups committed by a government that serves the agendas of money hungry elitists the control the world, hell bent on domination of the human race.SLP is followed by Made in America. Where the interactivity of the MIA-CD grows exponentially. There are hours of ForeFather and Americas history to investigate, and explore, Pictures of the band, and videos to watch. It is chuck full of eye and ear candy for the parent and the child to see and hear. We made learning about our history FUN!The journey of exposure continues with the driving tunes on the latest album: PEACE OR WAR. Poker Face has released this new musically-explosive CD October of 2009.
Who Was Recently Harassed By FBI – Poker Face The Band
Written by YIKES

by Yikes

Why? Listen At: http://www.TheAmericanVoice.com – Date: Tue. 4.6.10 – Time: 10:00 pm ET ~ 7:00 pm PT ~ Hosted by: John Clark ~ Is Protest ‘Rock’ Bad? ~ Be there or be Un-Aware! …        Why? Because patriotic groups play their music !!! The Hutaree 9. But ‘gangsta Rap’ Oh that’s OK?

Poker Face has been dubbed the leading truth/freedom band in the Union.  Through the use of various multi-media sources, this four piece band has made it their mission to expose the lies & scandals coming out the Union’s Capitol.  With a sound that is unmistakably their own, Poker Face mixes a variety of styles & orchestrations to take you on a true musical journey, while keeping their roots firmly planted in the melodic classic rock stylings of Boston & Pink Floyd.

The information contained within the Sex, Lies and Politiks album is an in-depth look into the conspiracies and cover-ups committed by a government that serves the agendas of money hungry elitists the control the world, hell bent on domination of the human race.

The journey of exposure continues with the driving tunes on the latest album: PEACE OR WAR. Poker Face has released this new musically-explosive CD January 2010.

http://www.pokerface.com/

Poker Face performing April 21, 2012 in Rochester, NY at MicGinny’s Sports Pub. For info go to this link http://www.digitalhda.com/ROCK-THE-PRIMARY.html

American Hero and Army Sergeant Who Gave Life To Save Afghan Child Being Flown Home For Burial

This section Copied from: http://infofeeder.info

This should be getting the attention 
Friday, 30 March 2012 02:39
I’m not really looking for debate on this as much as I want to make an effort to educate people. Sure, the
military has screwed up in Afghanistan. We’ve pissed on bodies, burnt books, and one man has even
committed pre-meditated mass murder. But we’re not always bad. For every one of those stories you
hear, much more like this happen. Its not a matter of foreign relations or “winning hearts and minds”.
Its about caring for your fellow human being, regardless of nationality, race, sex, etc. This man should
be glorified for the hero he is. When I read about fellow brothers doing things like this, I tear up everytime.
I don’t care what anyone says, this generation of service member is the “greatest generation”.
Army Sergeant Who Gave Life To Save Afghan Child Being Flown Home For Burial | Fox News

http://www.debatepolitics.com/breaking-news-mainstream-media/122508-should-getting-attention.html

Army sergeant who gave life to save Afghan child being flown home for burial

Published March 29, 2012

| FoxNews.com


An Army sergeant and father of three from Rhode Island who gave his life to save an Afghan child from being run over by a 16-ton armored fighting vehicle is being flown back to the U.S. and will be buried Monday.

Sgt. Dennis Weichel, 29, died in Afghanistan last week after he dashed into the path of an armored fighting vehicle to scoop up the little girl, who had darted back into the roadway to pick up shell casings, according to the Army. Weichel, a Rhode Island National Guardsman, was riding in the convoy in Laghman Province in eastern Afghanistan when he jumped out to save the girl, who was unhurt.

  • Dennis Weichel 1

    This image, obtained from WPRI.com, shows 29-year-old Sgt. Dennis Weichel.

  • Dennis Weichel 2
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“He would have done it for anybody,” Staff Sgt. Ronald Corbett, who deployed with Weichel to Iraq in 2005, said in a quote posted on the U.S. Army website. “That was the way he was. He would give you the shirt off his back if you needed it. He was that type of guy.”

The child was one of several who were collecting the casings, which can be sold and recycled in Afghanistan. Weichel and other soldiers in the convoy got out of their vehicles to shoo the kids from danger as the heavy trucks bore down. But the girl ran back onto the road as a MRAP, or Mine Resistant Ambush Protected Vehicle, approached. Weichel swung the girl to safety but was run over and later died from his injuries at Jalalabad Medical Treatment Facility, according to a press release from the Rhode Island National Guard.

Weichel, who had been a member of the Rhode Island National Guard since 2001, had arrived in Afghanistan a few weeks ago. He was a member of C Company, 1st Battalion, 143 Infantry. Weichel was previously deployed to Iraq in 2005 as a member of 3/172 Det 2 Mountain Infantry.

Weichel, who lived in Providence and was engaged to be married, leaves his parents, fiancee and three young children. His body is scheduled to be flown to Dover Air Force Base in Delaware on Saturday. Weichel will be buried in Rhode Island Veterans Cemetery in Exeter.

“Tragically, Spc. Weichel has made the supreme sacrifice and at this time, we are mindful of the impact of that sacrifice on his family and friends,” said Maj. Gen. Kevin McBride, adjutant general of the Rhode Island National Guard, in a written statement. “We leave no Soldier behind…. and we will not leave Spc. Weichel’s family behind.”

Read more: http://www.foxnews.com/us/2012/03/29/army-sergeant-who-gave-life-to-save-afghani-child-being-flown-home-for-burial/#ixzz1qZ7ZjwzY

Will the death of Travon Martin spark a Race War in America

It seems that many people are taking to the streets for mob rules Justice!  I am just afraid that if they do not get what they want that these people will turn violent and will spark a bloody Race War on the streets of America.  In a time when tensions are already high because of the bad economy and so many people out of work.  Having nothing better to do they may choose to join in on a flash mob mentality!  Many more people will be hurt and go to jail because of a senseless death of a young man who may have been acting like a young punk and got himself shot dead!  All I know is that people do not just kill you because you are a nice guy!   Sure the shooter may have had a trigger finger and shot this kid but I’m sure he was not looking to kill anyone that day!
Im Sorry about the way you took my blog about Travon Martin’s death the wrong way! My point was that the black man doesn’t need another race to destroy it they are doing a good job in killing themselves with a Flashmob like Mentality. Its not a smart thing for people who want change to turn to the government for change, Just look at world history of government and you will see how “People willing to trade their freedom for temporary security deserve neither and will lose both. … He who gives up freedom for safety deserves neither.” Those who would give up Essential Liberty to purchase a little Temporary Safety, deserve neither Liberty nor Safety. Benjamin Franklin (sometimes Thomas Jefferson) What people need to do is to turn to God and repent as a Nation from our sins! Forgiveness not revenge like the Black Panther Party who is willing to give $10,000 for the location of the shooter!
Also I do not want a Race War we are already in a race war a race to the bottom as a nation a race to destruction because we as a nation have turned our backs on Gods Laws! By the way I am a Native American in my blood! My Mother and Grandparents live on a reservation AKA the original American Concentration Camp! So do not tell me “You seem to be a person who would welcome the mass destruction of black people. Making pathological comments like race war sends the message that you would appreciate one. You hate us that much that you wish to see mass destruction of us by police militia?” sitesavemoneybiz

Will the death of Travon Martin spark a Race War in America

Post by: Daniel J Leach
It seems that many people are taking to the streets for mob rules Justice!  I am just afraid that if they do not get what they want that these people will turn violent and will spark a bloody Race War on the streets of America.  In a time when tensions are already high because of the bad economy and so many people out of work.  Having nothing better to do they may choose to join in on a flash mob mentality!  Many more people will be hurt and go to jail because of a senseless death of a young man who may have been acting like a young punk and got himself shot dead!  All I know is that people do not just kill you because you are a nice guy!   Sure the shooter may have had a trigger finger and shot this kid but I’m sure he was not looking to kill anyone that day! 
Black Panthers should be charged with Conspiracy To Commit Murder ! $10,000 Reward ?Just you all remember, The actions of 1 man do not reflect the feelings of the many. Most people are not prejudice. those who buy into racism are in fact racists them selves. Where is the UNITY in America? http://www.youtube.com/watch?v=EJddw7TDZeM

FRIDAY, MARCH 23, 2012

The Travon Martin Syndrome – Fear • Intro To Predictive Programming & Psychological Warfare Targeting Black Men • DV University • Spring 2012

DV Jr.
(Yelling from the front door as he walks out)
Hey Mom! Hey Mom! 
Mom
(in kitchen making food and on the phone)
Yes Jr.?
DVJr.
I’ll be back.  
Mom.
(as she tells the person on the phone she will call her back)
Where are you going?
DVJr.
To play some basketball
Mom. (pause)
Where?
DVJr.
At Kyle’s house.
Mom
(with trepidation)
By yourself?
DVJr.
(puzzled)
No.  With Kyle.
Mom
(agitated)
I mean are you going by yourself? Is your brother going with you?
DVJr.
No.  He’s doing something on the computer.  I’ll be right back.
Mom
I don’t know if you should go by yourself.
DVJr.
(puzzled)
Why not? I go all the time.  (pause) He lives … like 3 doors down.
Mom
I know … it’s just that …

Denmark Vesey said …
My wife, like many black Black Mothers, lost a son last week.

When Travon Martin was gunned down a flash of their worst nightmare sparked a painful fire of fear and dread which burned deeply in their souls.  Fueled by Facebook and 24 hour news Travon’s death was as real tangible and close to home as if they had breast fed him as a child.

When faced with fear, mothers do what mothers do.  They try to protect.  They try to prevent.  They worry. They warn.

But fear is the cousin of death.  Communicating to young men that their lives are perilous, fragile, or in constant jeopardy, can kill the spirit of a boy just as much as a bullet through the heart can kill his body.

A father’s instinct is to want his son to feel the world is his.   I can’t let him grow up peeping around corners scared of a George Zimmerman.

Dad (interrupting)
Hey man! Go ahead and play some ball dude.  Work on that left hand.  We’ll see you when you get home.
Dad (to Mrs. DV)
don’t worry baby. He’ll be alright.

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POSTED BY DENMARK VESEY AT 10:34 AM 5 COMMENTS

WEDNESDAY, MARCH 21, 2012

Uganda? ‘Invisible Children’ Needs To Save The Kids of Florida

RJEsq said…

 I saw this.Have a question. What would the counter or true agenda be? Am familiar with the notion that folks should have a healthy skepticism for campaigns for “justice” in the media. But in this situation, what would the true agenda be in pushing this issue?

Denmark Vesey said …

Hey RJ,

Interesting question.

I see it a bit differently.

KONY 2012 was a “pushed” meme.

ZIMMERMAN 2012 is a “pulled” meme.

KONY 2012 was designed to illicit a particular reaction from a group of people.  It was pushed because it fits the globalist agenda of raping Africa via “Humanitarian wars” and “Humanitarian vaccines”.

Its goal is to trick the peasantry into “demanding” intervention (liberal word for invasion).

ZIMMERMAN 2012 is being “pulled” via social media.  Fueled by Black outrage this meme exploded to become the cause du jour.  Half the cats on Facebook have already changed their profile pictures to that of young Travon Martin.

Its goal? To serve as proof white people still have power in this country and perpetuating the perception that being a black man is inherently dangerous and a disadvantage.

Yes.  Zimmerman 2012 affirms the Plantation Negro mantra: The Global System of White Supremacy.

The Plantation drove the KONY meme.

The occupants of the Plantation drive the ZIMMERMAN  meme.

Why? Because many Black people perceive danger from white people to be a more grave threat than danger from other Black people.

Evidence of that: Were Travon Martin shot by Quintavious Booker … none of us would have ever heard of him.

For every Travon Martin shot by a “George Zimmerman” … 20 or 30 will be shot by a JaMarcus Johnson. (Shout out to Undercover Blackman).

For every Travon Martin shot by a George Zimmerman … 200 to 300 Travon Martins will be killed by the food they put into their own mouths.   (Shout out to Denmark Vesey).

I have no problem with outrage directed towards Zimmerman.  I will be particularly impressed if something is done with that outrage other then a collective Negro head shake, despair and hollow demands “dat duh Guvament doo Summin!”

I will be more impressed with outrage and demands to do something about the “JaMarcus Johnson’s” who kill multiple Travon Martin’s everyday.

I will be even more impressed with outrage at ourselves for feeding ourselves food GUARANTEED to give us diabetes and to kill us.

That’s a meme that we should really blow up via social media.

Hell.  That’s the meme I’ve been pushing since ’07.  Hustle Hard.

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